I've never been a fan of run-of-the-mill musicals. I've seen the classics so many times, that I don't need to see them again - ever probably. And I approach my CD listening in much the same way. I'd much rather listen to something new, no matter how unknown, than put Rent or Carousel on for another listen, no matter how good they are.

It's because of this that I was happy to receive lyricist Mike Gibb's latest offering - Outlander - The Musical. Outlander is based on the novel by Diana Gabaldon, and has music by Kevin Walsh. This is very much a work in progress - there is no show as yet, just the concept album which will form the basis of the music for the eventual musical. The story starts in 1945 as nurse Claire Randall and her husband Frank are reunited after five years apart, spent serving during the Second World War. Unfortunately, the reunion doesn't go as planned, and Claire visits the stone circle of Craig na Dun, where she ends up being mystically transported back to 1743.

Musically, the piece is obviously a work in progress. Many of the songs sound very much the same (the whole album does have a very traditional Scottish feel to it - yes, there are bagpipes), and a couple of them, such as 'The Message' I think will end up being returned to libretto rather than song. However, there are some noteable songs which I think will end up forming the backbone of the piece. 'Say The Words' is a striking male duet which with work could be excellent, and the same can be said of 'The Right Road'. My one criticism is that the songs need more thought when it comes to structure and impact. As I've said, they do at times sound 'samey', and lack drama. I don't think any of them have key changes, and middle eight passages, that can be useful to lift songs that are scant. I feel this needs addressing sooner rather than later.

The CD is well performed by the cast, who are relatively unknown to most I expect, and come from varying backgrounds, both amateur and professional. The production is also very good, relying on synthesised backing rather than an orchestra, but this comes across very well, and at times it's hard to believe you aren't listening to a live group of musicians. All in all, a piece that still needs work, but an interesting listen.

More information, including CD ordering details from outlanderthemusical.com

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Ian Gude