Author Colin Beavan, in research for his next book, began the "No Impact Project" in November 2006. A newly self-proclaimed environmentalist who could no long avoid pointing the finger at himself, Colin leaves behind his liberal complacency for a vow to make as little environmental impact as possible for one year. No more automated transportation, no more electricity, no more non-local food, no more material consumption... no problem. That is, until his espresso-guzzling, retail-worshipping wife Michelle and their two year-old daughter are dragged into the fray. What began as one man’s environmental experiment quickly becomes an experiment in how much one woman is willing to sacrifice for her husband’s dreams...

Like his previous work on Crazy Eyes and Mother's Day, Bobby Johnston's score for No Impact Man isn't the sort of music I'd want to listen to outside of the movie that it was scored for.

While there are several interesting themes, this soundtrack mostly consists of background atmospheric pieces that are designed to hide away in the background - and as a consequence when listened to in isolation feel a little empty.

The problem has already been addressed by Johnston himself: "Scoring documentaries can be tricky because of the amount of dialogue," said Johnston "The music has to maintain momentum without interfering with the speaking rhythms. Finding the right tone is important in supporting the stories of real people. I tried to add an emotional layer without being manipulative."

Well, on that score it works, but again only in the confines of the movie - outside it falls a little flat.

Not that it's overly important, but the opening to 'Mayer’s View' reminded me of Faith Hill's 'Breathe'.

This isn't a soundtrack I'd actively seek out, but if you noticed and enjoyed it in the movie you may find that it appeals to you.

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Darren Rea