Every now and again, a special album lands on my doormat. Either because of its quality, the artists involved, or because there is a special reason behind its release. I’ve reviewed a few memorable ones in the past, but the latest release from SimG, Ms - A Song Cycle, struck a particular chord with me.

Fourteen people are diagnosed with Multiple Sclerosis everyday in the UK. More than two to three times more women are affected than men. In Ms - A Song Cycle fourteen songs show a glimpse in to the lives of these everyday women as they work, plan families, relationships and do it all while struggling with an often confusing disorder to explain. This is a subject close to my heart, as a very good friend of mine, and an extremely gifted musician has MS, and I’ve seen what it has done to her, and her career as a musician.

This recording is also special for all of the other reasons I mention above - the quality of the writing, from some of the industry’s top composers, and the artists involved, fourteen of this country’s strongest female talent. The common thread to the whole recording is lyricist Rory Sherman, who admirably tells a story in each of the songs.

The whole album is quality - I challenge anyone to find a weak spot in it. For me, the singers are the key element here. Any album that features Julie Atherton will always give it kudos and authenticity, and she doesn’t disappoint here. Her soaring 'How Can I Tell You?' is probably the stand out track on this album, her voice being perfectly complemented by arrangement and song equally. It’s just perfection. But this album has many such highlights, too many to list. I have to mention Caroline Quentin’s great performance of 'What’s That Jim' (a great song written by George Stiles, this time without collaborator Ant Drewe) - poignant and hilarious. A mention too for one of the unsung stars of London Theatre, Jodie Jacobs - her contribution 'Perhaps I’m Stronger Than I Think' is moving yet positive.

This album is the 30th release for SimG, and it’s very fitting that it should be one that is so important, not only as a piece of musical theatre, but also to serve as a beacon for sufferers of MS in the UK, and further afield. SimG prides itself on releasing albums that promote new work, and that other labels probably wouldn't pick up. They deserve immense recognition for that alone, but their belief and support in the release of this particular recording deserves an even bigger thanks. It’s very special. Thank you Simon, for all that you do, and for all that you will bring us in future.

10

Ian Gude