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                    The TARDIS lands in a picture-postcard sort of village where 
                    nothing much ever happens... until now. Archaeologists have 
                    dug up a Roman mosaic, dating from around 70 AD, depicting 
                    mythical scenes, bunches of grapes - and a Dalek. A few days 
                    later, a young woman is hit by a car and killed. Then she 
                    comes back to life. It's not long before all hell breaks loose... 
                  This 
                    book is part of the Quick Reads selection of short 
                    and fast-paced titles aimed at emergent readers and adult 
                    literacy learners. At just over 100 pages, with type that 
                    is even bigger than the new Who series spin-off hardback 
                    novels, I Am a Dalek is certainly short. It's snappily 
                    paced, too, though I did manage to put the book down on several 
                    occasions.  
                  The 
                    plot, involving a lone example of the deadly species that 
                    was assumed to be dead, relies on an obvious level upon the 
                    plot of the 2005 television episode Dalek. To a lesser 
                    degree, and not wishing to give too much away, it also borrows 
                    from The 
                    Evil of the Daleks and Remembrance 
                    of the Daleks, particularly the novelisation 
                    of the latter story (though perhaps the target audience might 
                    not be expected to have read this 160-page book).  
                  People 
                    picking up this novella as completist fans of Doctor Who 
                    fiction will be relieved that the Tenth Doctor has now encountered 
                    a Dalek. We care about such things, and there is a risk that 
                    David Tennant might not get the chance to meet the metal meanies 
                    in the TV series.  
                  Though 
                    basic in its style and structure, the story's content is a 
                    little more adult than the new series hardbacks, containing 
                    references to grown-up concerns such as credit-card debts, 
                    unemployment and unfulfilling sexual relationships.  
                  One 
                    tiny quibble: the woman mentioned on the back-cover blurb 
                    is killed by a car, not by a bus as stated on the blurb. Well, 
                    OK, she's running for a bus at the time, so maybe it's the 
                    bus's fault!  
                  In 
                    other respects, Gareth Roberts's novella achieves what it 
                    sets out to do. I strongly encourage any emergent readers 
                    who enjoy this book to seek out the author's superior new 
                    series novel Only 
                    Human and his sadly out-of-print The English 
                    Way of Death.  
                    
                  Richard 
                    McGinlay 
                    (I Am a Reviewer) 
                  
                     
                       
                        
                           
                             
                               
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