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                    It would not be unfair to say that Steve Cockayne is a superlative 
                    writer. The book takes the reader on a journey from a genteel 
                    upper middle-class world of tea and Tiffin to the depths of 
                    absolute madness. Or does it? It's difficult to discuss the 
                    book without giving too much of the plot away, so you can 
                    just skip to the 'buy this book' bit at the end if you don't 
                    want it spoilt... 
                  At 
                    the start of the book you're thinking here is a bog standard 
                    Alice in Wonderland meets The Famous Five rip-off. 
                    Robert and Kenny are two brothers living in Hedley House, 
                    at the start of the Second World War. Through the gate in 
                    their garden they are able to enter the land of Aboria which 
                    is populated by the Aborians and the Barbarians who are separated 
                    by a lake. The land also is host to Tommy Pelling, a wood 
                    cutter who appears to be immortal, and Davy Hearn, who is 
                    in league with the Barbarians. The boys defend the borders 
                    of Aboria and wonder about the Good People who have lived 
                    beneath the hill even before the Romans came.  
                  The 
                    boys' lives are changed forever with the loss of their parents 
                    in an accident and the arrival of two refugee girls, Janny 
                    Grogan and Nadia. With the boys on the cusp of manhood, the 
                    girls form the basis of the boys' first sexual awakenings. 
                    At first, things continue in a similar vein as the boys 
                    introduce the girls to Aboria, but as the boys grow older 
                    things start to unravel.  
                  Here 
                    is where the strength of Cockayne's writing really comes to 
                    the fore as the reality of Aboria comes into question. Kenny 
                    holds on to the reality of the land even to his death, whilst 
                    others around him start to question whether it is just a child's 
                    game which they have to put behind them as they grow older. 
                    Kenny's defence of the land leads to tragedy and death.  
                  I 
                    kept finding myself thinking Kenny's as mad as a hatter, but 
                    just when you think you have a handle on the book Cockayne 
                    throws in a line which makes you question whether Aboria really 
                    exists. It a bit like Lost, in that, you just get comfortable 
                    with what you think you know about the state of Kenny's mind 
                    when you're given another piece of information or the reaction 
                    of another character which brings all you thought you knew 
                    into doubt. Even when it is certain that Kenny has suffered 
                    some sort of psychotic break, Cockayne never lets you get 
                    away so easily.  
                  The 
                    book is written in the first person, being a fictitious narrative 
                    that Kenny, now an old man, is writing to his great-nephew 
                    Jamie, partly as an explanation of Aboria, but also because 
                    he intends to leave The Great Book of Arboria to the child. 
                    The book is an ageless account which is added to by each generation 
                    of children.  
                  I 
                    found the book riveting in its originality, especially as 
                    the author didn't take the easy way out in the end and provide 
                    simple answers to the events in the book. He has a good ear 
                    for the voices of his characters and each stood out as separate 
                    individuals.  
                  The 
                    thing I didn't get was that on the back of the book it says 
                    that it is intended for the over twelve's. Whilst I would 
                    agree that, due to some of the scenes in the book, no one 
                    younger than this should read this, I think that it give the 
                    wrong impression of the story. I certainly would have no problems 
                    in recommending this book to an adult audience.  
                  So, 
                    for all those that skipped to this part, go and buy this release. 
                    It's defiantly the most original and gripping book for adolescents 
                    I have read this year. 
                     
                  Charles 
                    Packer  
                  
                     
                       
                        
                           
                             
                               
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