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                    Sending a baby in a rocket to Earth was not Jor-El's first 
                    idea to preserve the doomed world of Krypton... When a powerful 
                    weapon ravages Metropolis, Clark Kent and Lois Lane travel 
                    to an old midwestern town to seek its origins. What they find 
                    is a portal that transports them to Infinite City, a place 
                    beyond imagination, where futuristic technology and magic 
                    coexist, and where Superman uncovers a piece of his true heritage. 
                    However, the discovery comes at a price. Once you journey 
                    to Infinite City, you can never return. Not everyone is happy 
                    living there, and they want to come to our world, no matter 
                    what the consequences... 
                  Those 
                    of you who are sick to death of DC's latest "crossover event", 
                    fear not! This graphic novel has nothing to do with Infinite 
                    Crisis.  
                  Rather, 
                    it's a standalone story - and a very special pairing of the 
                    wacky writing of Mike Kennedy (Star Wars: Underworld) 
                    and the distinctively stylised art of Carlos Meglia (Superman/Tarzan). 
                    Try to imagine the exaggerated physical proportions of the 
                    animated Superman crossed with the twisted artwork 
                    of Kevin O'Neill (Nemesis the Warlock, The League 
                    of Extraordinary Gentlemen) and you'll have some idea 
                    of what to expect here.  
                  Kennedy's 
                    plot puts an interesting new spin on the Man of Steel's creation 
                    myth, though it does share some uncomfortable similarities 
                    with the Phantom Zone as depicted in the two-part graphic 
                    novel For Tomorrow. Meanwhile, Meglia's realisation 
                    of Superman's dad Jor-El in the opening flashback owes more 
                    to the movies than any recent comic-strip version.  
                  The 
                    asking price is a bit steep for a 96-page graphic novel, but 
                    the quality of the paper stock is very high and the painted 
                    artwork exceptionally detailed, so you could spend hours gazing 
                    at all its fabulous intricacies. It's a pleasure to lose yourself 
                    in Infinite City.  
                    
                  Richard 
                    McGinlay  
                  
                     
                       
                        
                           
                             
                               
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