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                    Donal is a fourteen-year-old boy growing up in Northern Ireland. 
                    His main passion in life is greyhound racing, so when he gets 
                    the chance to have his own dog, The Mighty Celt, he jumps 
                    at the chance, problem is, the dog won't be his unless he 
                    can get it to win a race, the alternative is death at the 
                    hands of Good Joe...  
                  Inevitably, 
                    there are going to be comparisons with Kes the seminal 
                    sixties film by Ken Loach, and I think that the comparison 
                    is courted by this movie, there are scenes which resonate 
                    the same relationship between the animal and the boy. Both 
                    boys inhabit an environment in flux, Billy Casper in the disintegration 
                    of the north of England and Donal in the difficult attempt 
                    at social reintegration following the cessation of the troubles 
                    in Northern Ireland. However, Celt finds its own voice; 
                    it uses more traditional film techniques and not the documentary 
                    style favoured by Kes. The film also contains more 
                    romance and humour than Kes.  
                  The 
                    backdrop to the story is Donal's relationship with Good Joe, 
                    the owner of the greyhound stables and O a returning, unapologetic, 
                    IRA operative. Many of the characters are unhappy about the 
                    peace process, feeling that things have not improved. Good 
                    Joe continues the tradition of violence that O has turned 
                    his back on. These two competing role models challenge Donal's 
                    view of the world. The film is a little ham fisted in having 
                    as its opening scene Joe throwing live puppies off a cliff. 
                    The audience is left in little doubt that Joe is the villain 
                    of the piece and whilst Ken Stott as Joe does his best to 
                    round the character off there is little room for such a rigid 
                    personality, stuck in the violence of the past.  
                  Gillian 
                    Anderson plays Kate, Donal's mother and what a performance. 
                    This is Anderson like you have never seen her before. Mourning 
                    the loss of her brother, feeling little but anger towards 
                    O for surviving, she is initially less than happy with O's 
                    involvement with Donal, although you would have to watch the 
                    film to understand the real reason behind her anger at O. 
                    Anderson has never looked rougher and that is meant as a compliment, 
                    she is highly believable in her role with a very convincing 
                    Irish accent.  
                  Robert 
                    Carlyle as O is, well, Robert Carlyle, a great natural actor 
                    in any role. This was Tyrone McKenna first role as Donal and 
                    what a splendid job he does, his performance really drags 
                    you through the boy's journey, through pain and his inevitable 
                    choice between violence and understanding towards an appreciation 
                    of the genesis of violence.  
                  In 
                    the end, the film is about redemption for many of the characters, 
                    change can often bring anxiety but the film shows that change 
                    is the normal human condition, to grow one needs to embrace 
                    change and at the end of the film the characters which are 
                    happiest are those that embraced change.  
                  At 
                    one hour fifteen minutes, this is a short but worthy film. 
                    Extras include an informative documentary on the making of 
                    the film as well as subtitles. Audio is stereo and the picture 
                    is a little soft, but neither of these detracts from the film. 
                     
                    
                  Charles 
                    Packer  
                  
                     
                       
                        
                           
                             
                               
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