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                    It is the year 2032 and the Earth is a world where the few 
                    remaining humans coexist with artificial imitations, cyborgs 
                    and robots. Batou, a cyborg detective and his partner, Togusa 
                    are charged with investigating the bizarre case of a malfunctioning 
                    female sex droid that has murdered its owner. As they delve 
                    deeper into the investigation they are forced to confront 
                    violent yakuza thugs, devious hackers, influential government 
                    bureaucrats and powerful corporate criminals... 
                  Ghost 
                    in the Shell 2: Innocence is 
                    a strange movie, and one that is difficult to review objectively. 
                    To 
                    be perfectly honest this is not a film that you should watch 
                    if you know nothing about the history of Ghost in the Shell. 
                    While the majority of the storyline is simple to follow, the 
                    conclusion will leave you scratching your head. 
                  The 
                    plot is not overly original either - it's not a million miles 
                    away from Blade Runner, for starters. But by far the 
                    biggest problem I had was the director's insistence on using 
                    three very distinct forms of animation styles. 
                  I 
                    have to confess that I am not a fan of mix & match animation. 
                    For me part of the magic of manga movies is leaving behind 
                    the fact that the characters exist as drawings, or as a computer 
                    file. I like to immerse myself in the story. However, with 
                    this movie, it's constantly being shoved in the viewers fact 
                    that this is an "animated" picture. One minute we 
                    have traditional drawings of the characters, the next the 
                    background scenes are CGI images, and then we have scenes 
                    where actors have obviously been filmed and the illustrators 
                    have used this footage to make their drawings appear more 
                    natural. This, for me, detracted from the plot and I found 
                    it painfully frustrating. 
                  Another 
                    problem was that director Mamoru Oshii seemed uncertain whether 
                    he was making a straight forward futuristic tale, or directing 
                    an arthouse movie. We start with a fairly typical futuristic 
                    cop narrative, but by the end it's become a surrealist nightmare 
                    for no real reason other than, I presume, to garner favour 
                    with the critics - the majority of whom won't have a clue 
                    what they've just witnessed.  
                   
                    Extras include The Making Of Innocence featurette; 
                    audio commentary by Mamoru Oshii and Toshihiko Nishikubo (animation 
                    director); a UK exclusive featurette Face To Face Interview 
                    With Mamoru Oshii; Sneak Peak at Ghost In The Shell 
                    Stand Alone Complex 2nd Gig Volume 2, Episode 5; full-length 
                    Japanese trailer and Manga trailers. As with the previous 
                    Ghost in the Shell releases the feature is present on 
                    both discs - with the version on disc 2 having a DTS soundtrack. 
                  To 
                    be honest this is not as good as I was hoping. In fact, it 
                    barely scrapes above average.  
                    
                  Ray 
                    Thompson  
                  
                     
                       
                        
                           
                             
                               
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