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                    Niles and Holland are two nine-year-old twins who live with 
                    their family on a Connecticut farm in the 1930s. They are 
                    taught by their grandmother to play a supernatural game. When 
                    accidents occur and events take a murderous twist, the increasingly 
                    unsettling relationship between the twins comes under scrutiny... 
                  This 
                    is another one of those films that's difficult to discuss 
                    without giving away major spoilers in the storyline. But I 
                    suppose I'd better give it a go, otherwise we'll be here all 
                    day discussing such mundane trivialities as the quality of 
                    the print (which, since you're asking, is very poor. I have 
                    off-air VHS recordings of films from the 80's which have stood 
                    the test of time better than this. Sadly, no attempt seems 
                    to have been made to clean up the print at all and it shows). 
                   
                    Originally released in 1972, The Other is an adaptation 
                    of the spooky novel by Tom Tryon, brought to the big screen 
                    by To Kill A Mockingbird director Frank Mulligan. The 
                    troubled twins at the centre of the story are sensitively 
                    played by Chris and Martin Udvarnoky, and the film is also 
                    notable for an early appearance from the late John Ritter, 
                    although sadly he gets to do very, very little.  
                  In 
                    fact, this tends to be the biggest weakness of the film - 
                    other than the twins and their slightly potty Grandmother, 
                    nobody seems to get up to anything of much interest. Whilst 
                    there are subtle shades of The Omen bubbling beneath 
                    the surface, and even a brief sniff of The Sixth Sense 
                    twenty-five years before it's time, you spend much of the 
                    film's duration wondering if you have stepped into nothing 
                    more sinister than a slightly odd episode of Little House 
                    On The Prairie.  
                  And 
                    so we come to the film's 'twist'. Unusually, the big twist 
                    occurs only halfway through the film, leaving the last half 
                    to play out the repercussions of the revelation. Whilst I'm 
                    not going to give any spoilers away here, it has to be said 
                    that even a lamb would have spotted it coming within ten minutes 
                    of the opening credits. Maybe we're a more discerning breed 
                    of viewer these days, and the twist may well have had more 
                    impact on the film's original release over thirty years ago, 
                    but it does seem to me that the over-the-top crescendo that 
                    is the supposedly 'revelatory' scene is completely redundant 
                    and will leave the modern viewer cold. 
                  Surprisingly, 
                    the film does begin to pick up a little once the twist is 
                    out of the way, as we become genuinely interested in the final 
                    outcome of this small drama, but it's too little too late. 
                    Further shocks and surprises seem to be signposted but never 
                    really materialise - the climax of the film is a little ambiguous 
                    and ultimately, rather flat. Whilst never having read the 
                    original novel myself, I am reliably informed that the book 
                    delves far deeper and gives a much clearer final picture of 
                    events. 
                  Special 
                    features on the disc are minimal - a trailer, image gallery, 
                    shooting scripts and, curiously, music cue sheets of Jerry 
                    Goldsmith's original score (over half of which was cut during 
                    post-production of the film). 
                   
                    I'm sure The Other could be regarded as a reasonably 
                    entertaining film if you're after something light and not 
                    too taxing or rewarding, but this reviewer was left with nothing 
                    more than an urge to watch a couple of the really good films 
                    it vaguely reminded him of. 
                    
                  Danny 
                    Salter  
                  
                     
                       
                        
                           
                             
                               
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