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                    In the small town of Cregean, the future of the lives and 
                    loves of the inhabitants seem intertwined one with another. 
                    During one hot summer, events happen which will make these 
                    people examine and question their idyllic lives... 
                  Summer 
                    Solstice (2005) is a screenplay by John Goldsmith from 
                    the original novel by Rosamunde Pilcher. A British author 
                    who is particularly successful in Germany, so much so that 
                    the German national television ZDF has produces over sixty 
                    shows based on her work. This show is a joint English/German 
                    production. 
                   
                    One of the biggest problems with the production becomes clear 
                    very quickly, with a large international cast, many of whom 
                    do not have English as a first language; the delivery of the 
                    script is for the most part flat and stilted. This has the 
                    unfortunate effect of draining any of the scenes of tension 
                    or drama. The overall effect is to make Emmerdale look 
                    like Shakespeare in comparison. 
                  Although 
                    the show is around an hour and a half in length, the story 
                    is so languid, with a dearth of dramatic scenes that it's 
                    very easy to loose track of the almost non-existent story. 
                    Characters spend most of their time aimlessly wandering around 
                    worrying about their love lives.  
                  The 
                    shows level of emotional engagement with its audience was 
                    such that I was tempted to get a pot of Dulux, just so I could 
                    keep awake by watching paint dry. Without a sense of drama 
                    it is very hard to care what happens to the various characters, 
                    or even to tell them apart as real people rather than mass 
                    produced cardboard cut-outs. 
                  Honor 
                    Blackman, as the Countess Lucinda Reeves, is badly under used 
                    in the piece and to be honest it's not her best work. Which 
                    is a shame because this was not an amateur production; many 
                    of the actors have done good work in other films and shows. 
                    Blame can only be laid at the feet of the director Giles Foster, 
                    who seems content to let the ambling mess find its own way 
                    to a flat conclusion. 
                  On 
                    the plus side the cinematography, by Rex Maidment, is sumptuous 
                    in its obvious love of this part of Scotland. He pulls all 
                    the stops out to bring out the obvious beauty of the location. 
                     
                  So, 
                    with over sixty shows having been produced, I'm willing to 
                    admit that I might be missing something here, but I don't 
                    think so. One for Pilcher fans only, I'm afraid. 
                    
                  Charles 
                    Packer  
                  
                     
                       
                        
                           
                             
                               
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