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                    It is said that the devil will always have his due, a fact 
                    that Hendrik Hoefgen learns to his cost. Hendrik has spent 
                    his whole life as an actor; in fact he has played other people 
                    to the extent that little of him remains. This empty shell 
                    of a man at first appears to have a moral stance, some substance, 
                    until he is confronted by the Nazis. With the choice of fleeing 
                    the country, Hendrik discovers that he will do almost anything 
                    for the roar of applause, nothing else fills the void where 
                    his soul should have been... 
                  Mephisto 
                    (1981) was directed by Istvan Szabo, from the original novel 
                    by Klaus Mann, and formed the first chapter in Szabo's trilogy 
                    of films which included Colonel Redl (1984) and Hanussen 
                    (1988). Szabo is one of the most successful and acclaimed 
                    directors to emerge from the sixties Hungarian New Cinema. 
                    Mephisto won a slew of awards on its release, including 
                    the Oscar for the Best Foreign Language Film. In eighty-five 
                    Colonel Redl was nominated for an Oscar as well as winning 
                    a BAFTA, and three other awards. Once again Haussen was nominated 
                    for an Oscar as Best Foreign Film. His best work, so far has 
                    been produced from his collaboration with the actor Klaus 
                    Maria Brandauer, who stared in all three films and cinematographer 
                    Lajos Koltai.  
                  Mephisto 
                    is an extraordinary film; Brandauer gives, what must be, the 
                    performance of his life. Although, the character of Hendrik 
                    has little, if any, redeeming qualities. He is vain and looks 
                    down on people whom he considers inferior and yet Brandauer 
                    draws the audience into Hendrik's world and Hendrik's head. 
                    It's not that we end up sympathising with him, his acts alone 
                    condemn him, but we do finally understand the choices he makes 
                    as he tries to balance between his art and the need to stay 
                    a step ahead of the Nazi's. His eventual Faustian deal with 
                    the Nazi's for the success, as an actor which he so craves, 
                    is not such a great leap as Hendrik has little of his soul 
                    left to give away.  
                  Cinematography 
                    by Lajos Kolai is some of the best your likely to see. The 
                    period is reproduced in great detail. That's not to say that 
                    the DVD hasn't more than a few problems. I'm not sure of the 
                    quality of the original print but the one that turns up on 
                    the DVD isn't so great, which makes the film look a lot older 
                    that it actually is. Sound is stereo and there are no extras 
                    at all on the disc.  
                  This 
                    is not an easy film to watch and I certainly wouldn't recommend 
                    it as a Saturday night movie, but if you persevere then it's 
                    a rewarding experience. True, the moral behind the film - 
                    that totalitarian governments are a bad idea - is a bit trite, 
                    but then you can't have everything.  
                    
                  Charles 
                    Packer  
                  
                     
                       
                        
                           
                             
                               
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