| On the human colony planet Nocturne, there is suffering 
                    and blight, tragic symptoms of an ages-old war. Nevertheless, 
                    this is one of the Doctor's favourite places, because it is 
                    here that a late, great flowering of human art and music is 
                    taking place. It is a place he finds inspirational and uplifting, 
                    and he wants to share it with Ace and Hex. It's always been 
                    a safe haven for him, a world of friends and laughter. But 
                    with strict Martial Law imposed on the front-line city, and 
                    the brutal scourge of interstellar warfare gripping the system, 
                    how safe can anyone really be? There is a note of death in 
                    the wild, midnight wind...
  
                    Having really enjoyed the freshness and excitement of writer 
                    Dan Abnett's previous Seventh Doctor/Ace/Hex story, The 
                    Harvest, I had high hopes for this follow-up. 
                    Unfortunately, Nocturne comes up rather shorter on 
                    the original ideas front.  
                    The writer explores the interesting notion of the Doctor (Sylvester 
                    McCoy) having friends at various ports of call throughout 
                    space and time - not just on Earth - in this instance the 
                    planet Nocturne. Thus at the outset of the adventure the travellers 
                    arrive at a place where they are welcomed with open arms, 
                    rather than, as is more customary, stepping out into the unknown 
                    and/or being greeted with hostility by suspicious natives. 
                     However, 
                    it's not long before familiar old patterns begin to reassert 
                    themselves. Following some mysterious deaths, the Doctor is 
                    treated as a suspect and is even accused of being an enemy 
                    spy. Prior to this turn of events, we are introduced to a 
                    set of pleasantly voiced yet sinister robots, known as Familiars 
                    (all played by Helen Kay), whose "cannot harm humans, honest 
                    guv" programming comes straight from the works of Isaac Asimov 
                    - which have, of course, previously been raided by Who 
                    in the Tom Baker serials Robot and The Robots of 
                    Death. Ultimately, the real menace proves to be sound-based, 
                    an idea that was novel back when Big Finish first used it 
                    in 1999 in Whispers of Terror but now seems a little 
                    old-hat.  
                    Abnett does attempt a bit of character development for the 
                    Seventh Doctor, as the Time Lord apologises to Ace (Sophie 
                    Aldred) and Hex (Philip Olivier) for having kept them in the 
                    dark in the past about his foreknowledge and motivations, 
                    and promises to try and mend his ways. However, fans who regard 
                    the New Adventures novels as part of the same continuity 
                    as these audios know that this Machiavellian incarnation will 
                    soon slip back into his devious old ways. Not even McCoy and 
                    Aldred believe that the Doctor will keep his word for long, 
                    as they make plain in this double CD's extra features.  
                    During these interviews, the stars are also asked their opinions 
                    of the new television version of Doctor Who. I heartily 
                    agreed with Aldred's view of the pre-publicity that surrounded 
                    the then new companion Rose Tyler. The way the press carried 
                    on about Rose being a feistier and more capable kind of companion 
                    than ever before, you'd think Ace had never appeared on the 
                    show! If 
                    only the drama itself had engaged me as much as Aldred's comments 
                    did.  
 Richard 
                    McGinlay  
                     
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