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                    This collection examines 80 zombie movies that shaped 
                    a horror subgenre and left us all with a mortal fear of flesh-eating 
                    ghouls clawing their way out of the cold, dark earth. Zombiemania 
                    takes an in-depth look at one of the most popular horror film 
                    categories of all time. What is it that makes us so scared 
                    of and yet so attracted to the living dead? Why is it that 
                    shambling corpses with a taste for brains, or mindless automatons 
                    controlled by a voodoo master, still retain such relentless 
                    power? Illustrated with many photographs, some published here 
                    for the first time, this is one guide that will leave you 
                    with a restless urge to walk the night in search of living 
                    flesh... 
                  In 
                    pretty much the same format as A 
                    Vault of Horror by Keith Topping (and also 
                    published by Telos) which I reviewed in 2004, comes Zombiemania 
                    by Dr Arnold T Blumberg and Andrew Hershberger. Again the 
                    publishers have neatly side-stepped possible conflict with 
                    completists by using the subtitle 80 Movies To Die For. 
                  Category 
                    paragraphs for each listing include: Outbreak Location (the 
                    setting); Synopsis; Necrology (the back-story and origins/descriptions 
                    of the undead); Quotes (some memorable lines from the film); 
                    Ruminations (some interesting facts); 6 Degrees of Necrophagia 
                    (influences, links and background); Hey Look, It's The Guy 
                    From The One With The Thing (actors and where they've been 
                    seen before or since); Behind The Scenes (the people behind 
                    the camera); Analysis (opinions); and DVD Notes (what versions 
                    the film has been released in). 
                   
                    So very thorough then. However, the first question that occurred 
                    to me was what constitutes a zombie movie? Is the true definition 
                    someone who has been brought back from the dead? Or is it 
                    only a lumbering, lurching, soulless, flesh-eater? My personal 
                    view is the latter, but the writers here curiously opt for 
                    the former. And that's were the problem lies: where do you 
                    draw the line? For example, shouldn't Bride of Chucky 
                    have been included, as Chucky is brought back to life using 
                    a voodoo ritual? There are many other examples if you sit 
                    and think about it.  
                  By 
                    the same standards some of the listed titles are not strictly 
                    zombie films - at least in my opinion. In 28 Days Later 
                    the people are affected by a virus; they are not animated 
                    dead. The same applies to The 
                    Omega Man, adapted from the classic Richard 
                    Matheson novel, I Am Legend. Again, there are other 
                    examples, but perhaps I'm simply nitpicking. 
                   
                    I did enjoy being reminded of films I'd long-since forgotten 
                    about, such as the weirdness that is Shock Waves, the 
                    craziness that is Astro Zombies and, as for Plan 
                    9 From Outer Space (which could fit into any horror or 
                    SF genre)... it's so bad it's good. Of 
                    course, as anyone with the barest knowledge of horror will 
                    tell you, the ultimate zombie movie remains Night of the 
                    Living Dead - from 1968.  
                  Zombiemania 
                    works well as a casual read for horror addicts, such as myself, 
                    so I'm certain this well-presented book will be snapped-up 
                    (or should that be devoured?) by fans of George Romero and 
                    the like.  
                    
                  Ty 
                    Power  
                  
                     
                       
                        
                           
                             
                               
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