| Piro and Largo are trapped in Japan. Having found jobs, of 
                    a sort, the anime/manga obsessed Piro and the hard-core gamer 
                    Largo find their lives being inextricably linked with two 
                    young women...
  
                    Megatokyo  is an original online manga by American artist 
                    Fred Gallagher. The online strip has been going for some considerable 
                    years having started life in 2000. Originally created by Gallagher 
                    and Rodney Caston, Gallagher took full control of Megatokyo 
                    in 2002. The 
                    manga is hand drawn in pencil, and lampoons many aspects of 
                    anime, manga and computer gaming. Although draw by an American 
                    - and I mean no slight here - Megatokyo is a convincing 
                    Manga adhering to the forms and format of manga, with one 
                    acceptation - that it can be read front to back, which should 
                    make it a little easier for the uninitiated.  We 
                    have the strange spiky hair, that helps to differentiate the 
                    characters; appropriate levels of blushing and facial contortions 
                    are also thrown in, as are lots of little vignettes poking 
                    fun at manga traditions or just thrown in for a quick gag.  
                    As with any long running series, being introduced to the characters 
                    at Volume Four is going to be a confusing matter. Of 
                    course, if you are interested, you can pop along to www.megatokyo.com 
                    and view all the strips from the beginning. Which brings up 
                    a bit of a dilemma for the artist and publisher, in that, 
                    this volume, like all the others, is free to view online. 
                    Ok, you could make the argument that by doing so you will 
                    be supporting the artist in his endeavours and there's nothing 
                    wrong with that, or you may be like me and have never really 
                    found reading off a screen all that easy, especially on the 
                    bus.  
                    The strip originally started as a gag a day set-up, but by 
                    this point in the story Gallagher has moved the plot on to 
                    the interrelationships between the characters, though without 
                    loosing any of the underlying anarchic humour. The layout 
                    of the strip uses numerous differing numbers of panels, which 
                    stops the overall look of the book from becoming boring. If 
                    categorisation was required then I guess you would have to 
                    say that by this point in the strip's history it was quickly 
                    transforming itself into the equivalent of a shojo manga.  
                    If Volume Four had represented an original, never before 
                    published book, then it would have been rated very highly. 
                    However, the question has to be asked about value for money. 
                    There is some original content, but not really enough to please 
                    anyone other than an already committed fan. Whilst the bulk 
                    of the book is free to view; their strip numbers are helpfully 
                    reproduced at the back of the book.  
                    So, really it comes down to whether you are happy to read 
                    it online or whether you'd rather have the book in your hands. 
 Charles 
                    Packer  
                     
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