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                    Jean, a young and idealistic Napoleonic soldier, is conveying 
                    a consignment of gold across Tuscany. During a short rest 
                    stop he meets and falls in love with Elisabetta Benedetti,whose 
                    charms blind him to the fact that her brothers have stolen 
                    the gold. The loss of the gold costs Jean his life and places 
                    a curse on the Benedetti family - a curse that would bring 
                    tragedy through the generations that were to come... 
                   
                    Fiorile (1993) was directed by brothers Paolo and Vittorio 
                    Taviani. The film was nominated for a Golden Palm at the Cannes 
                    Film Festival and a Golden Frog at Camerimage. It also won 
                    a David di Donatello award for production designer Gianni 
                    Sbarra. The Taviani brothers work in a peculiar way, alternating 
                    who is directing a particular scene, though the relationship 
                    is such a perfect symbiosis that it is difficult to discern 
                    who shot what. 
                   
                    The story takes place in four time frames: the Napoleonic 
                    War, pre World War Two, during World War Two and its linking 
                    contemporary setting. The basic structure for most of the 
                    film is that of Elisabette's modern descendants travelling 
                    back to Tuscany with the parents telling their children the 
                    story of the curse and how it had affected various members 
                    of the family. The structure has all the elements to be relatively 
                    uninteresting until the Taviani brothers put their own little 
                    twist on things. 
                   
                    The film opens with the family in the car and the father relating 
                    the original story of the stolen gold. The child stares out 
                    of the window imagining the troops travelling through the 
                    wood, when right in front of them the troops appear. Although 
                    never seen in the same frame this clash of the modern and 
                    the historical works very well. It is a motif that is used 
                    throughout the film to strengthen the ties between the present 
                    and the past. As the family travel home they pass places which 
                    are significant in their families' history, thus the next 
                    sequence in the story is triggered. 
                   
                    To further these ties various actors play multiple roles. 
                    Galatea Ranzi plays the ill fated Elisabetta Benedetti as 
                    well as Elisa her descendant. Like wise Michael Vartan plays 
                    Jean and his descendant Massimo, lastly Claudio Bigagli plays 
                    Corrado the original gold thief and his descendent Alessandro. 
                   
                    If the film has a fault it's that it starts so well that the 
                    following vignettes never quite match up to it. The opening 
                    story of Jean and Elisabette is genuinely moving as the young 
                    lovers are torn apart by an act of theft by her own brother 
                    - a brother whom she begs to find Jean's killer unaware that 
                    she is looking straight at him. 
                   
                    The second segment, where a hundred years later Elisabette's 
                    descendant enact her revenge on her brothers, is a little 
                    more ponderous, though lavish in its costumes and set design. 
                   
                    The third vignette rallies the film with Massimo trying to 
                    escape the curse only to be outwitted at every turn. This 
                    portion of the film nicely sequays into the contemporary setting 
                    with Massimo's son bringing his children to see their dying 
                    grandfather. Although the tone and the brightly lit shots 
                    of the family initially give the impression that this is a 
                    generation which has escaped the curse, the theft of a single 
                    gold coin by the child sits in his hand like a harbinger of 
                    doom. 
                  Overall 
                    the film is a not unsuccessful blend of historical drama and 
                    horror film. The score, by Nicola Piovani, is at times both 
                    chilling and evocative. The whole thing is nicely rounded 
                    off by Giuseppe Lanci's cinematography. 
                   
                    The disc contains only a single extra, but what an extra, 
                    a whole hour and twenty minutes of the brothers discussing 
                    their earliest influences right up to how they construct and 
                    shoot a movie. 
                   
                    Whilst this does not represent a classic of cinema it is well 
                    worth two hours of anyone's time. 
                    
                  Charles 
                    Packer  
                  
                     
                       
                        
                           
                             
                               
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