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                    Jim Rockford lives in his trailer and plies his trade as a 
                    private investigator. Pardoned for an armed robbery that he 
                    did not commit, Jim's world appears to be a nexus for trouble 
                    and most of his cases turn out to be more complicated than 
                    at first sight... 
                  The 
                    Rockford Files was a very successful, laid back PI show 
                    whose nine seasons ran from 1974 to 1980, following which 
                    it spawned a number of television movies - a favourite of 
                    the Saturday afternoon slot. The show continues to be repeated 
                    today on satellite television. 
                  Rockford 
                    was played by James Garner, whose career has successfully 
                    straddled the two worlds of television and cinema. Though 
                    he has appeared in many films, and continues to do so, cinematically 
                    he will be best remembered for his part of Flight Lt. Hendley, 
                    who attempts to help Donald Pleasence's character avoid the 
                    Nazi hordes in The Great Escape (1963). 
                  Rockford, 
                    along with Bret Maverick, are most probably the two television 
                    roles which he will most associated with. The show was created 
                    by Stephen Cannell and Roy Huggins. Huggins and Garner had 
                    previously worked on the equally successful Maverick 
                    series. Rockford was an attempt to move away from the 
                    usual stereotypical view of private Investigators, whose usual 
                    depiction was one of either high glamour (Magnum PI, 
                    Moonlighting, Charlie's Angels) or hard bitten, 
                    gun tottin, nihilistic city survivors (Harry O, Mike 
                    Hammer). In its sheer amiability it was the Monk 
                    of its day. In its tone it was almost a show about family. 
                  Jim 
                    Rockford, drove a Pontiac Firebird and lived in a cramped 
                    trailer on the beach. His family and friends became recurring 
                    characters, from his useful contact on the force to his father 
                    who appeared in nearly every episode. Over its nine seasons 
                    it was lucky enough to attract many of the up and coming talent 
                    of the day as guest artists. This was decidedly superior Saturday 
                    afternoon fare, which could be enjoyed by all members of the 
                    family. The show sported an easily recognisable theme tune 
                    and the now famous answer machine gag at the beginning of 
                    every story. 
                  This 
                    latest box set contains all twenty-one episodes of Season 
                    Four and the writing had maintained the high quality for 
                    which the show had come to be known. The opening show Beamer's 
                    Last Case pretty much has all the elements which made 
                    up a typical Rockford show. Returning home Rockford 
                    discovers his car burned out, his trailer trashed and someone 
                    has stolen his identity. There then follows sequences of Rockford 
                    unravelling the mystery.  
                  Most 
                    shows followed this pattern of setting up the crime and watching 
                    Rockford unravel the mystery. This is not a criticism, by 
                    the fact that the show was about a PI, it was inevitable that 
                    it would be to an extent formulaic. Other shows had come up 
                    against this problem and some, like Colombo, had turned 
                    this problem on its head by showing you the killer before 
                    following the investigation. 
                  So 
                    each show was similar, but the writing and acting meant that 
                    the show was rarely dull to watch. This season had some notable 
                    guest appearances. Issac Hayes and Dionne Warwick appear in 
                    Second Chance and Larry Hagman appears in Forced 
                    Retirement. Overall, the shows remain eminently watchable, 
                    with many high points. By Season Four the show had 
                    settled down in terms of cast and writing and their ability 
                    to put forward a quality product each week is made to seem 
                    effortless. 
                  For 
                    a show of this age the 4:3 picture is surprisingly good, audio 
                    is the original stereo. It's a shame that the set is devoid 
                    of any extras except an episode - White on White and Nearly 
                    Perfect - from Season Five. Admittedly this is 
                    a great episode, it even has Tom Selleck in, but surely this 
                    will appear in the next set, so not a great addition. 
                  
                  
                  
                    
                  Charles 
                    Packer  
                  
                     
                       
                        
                           
                             
                               
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