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                    Jim Schmidt is the first Hittite to leave the community 
                    and go away to college. When he returns with his new wife 
                    Martha, he finds they are shunned by the modern-technology 
                    hating religious group. When Jim is killed in a so-called 
                    "accident" involving his own tractor, Martha turns 
                    to two college friends who arrive to comfort her. Practically 
                    threatened into accepting an offer for her house and land 
                    from Isiah, the leader of the community, she steadfastly refuses. 
                    However, when one of the older boys is stabbed to death whilst 
                    spying on her house, Martha learns there is a multiple killer 
                    at large in the area, who could very well have links to Jim's 
                    death... 
                  Wes 
                    Craven is legendary in the field of horror; even many mainstream 
                    filmgoers will know this. Perhaps best known for A Nightmare 
                    on Elm Street, he also has The Last House on the Left 
                    and the original The 
                    Hills Have Eyes - as well as a handful of other 
                    contemporary classics to his name. Deadly Blessing 
                    was his third feature, and proves less memorable for valid 
                    reasons, particularly the fact that it succeeds in some aspects, 
                    while failing miserably in others and concluding rather messily. 
                  Ernest 
                    Borgnine is impressively intense as the Hittite leader and 
                    Jim's father, Isiah. To his considerable acting credit you 
                    find yourself hating him instantly. Because the Hittites are 
                    so strict and hateful it becomes obvious that the killer can't 
                    possibly be among their number. However, this does work reasonably 
                    well as a murder mystery; it just can't decide whether to 
                    be a thriller, a teen slasher or a Amityville-type 
                    ghost story.  
                  There 
                    are lots of Steadicam point-of-view movements around Martha's 
                    house, reminiscent of the opening scene in Halloween. 
                    The ultimate motive for these killings is to protect a secret 
                    which in the great scheme of things isn't really that important. 
                  Furthermore, 
                    there are a number of set-pieces which really don't make a 
                    great deal of sense come the conclusion of the film. And talking 
                    of the end, it comes out of the blue and, although it can 
                    be called original, it simply makes you think "What?!!" 
                    Apparently, this ending was cut for the original UK theatrical 
                    release. 
                    
                  Ty 
                    Power  
                  
                     
                       
                        
                           
                             
                               
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