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                    A travelling writer (John Cusack) who reviews the scariest 
                    locations for a series of books, learns about room 1408 of 
                    the Dolphin Hotel in New York. The room has been maintained 
                    but unavailable for several years. Since the early 1900s there 
                    has been more than fifty deaths in the room, many of them 
                    suicides but others as bizarre as drowning in a dry room. 
                    After trying his best to talk the writer out of it, the hotel 
                    manager (Samuel L. Jackson) has no choice but to relent and 
                    let him stay the night in the room. A few things happen which 
                    the writer takes to be cheap promotional parlour tricks, but 
                    very quickly the room begins to play games with his mind. 
                    He can't escape the room, a voice on the phone repeatedly 
                    asks if he wants to "check-out", and the bedside 
                    clock begins counting down an hour until his death... 
                  Considering 
                    he is acting along in many scenes, John Cusack turns in a 
                    sterling performance as the protagonist. The character is 
                    a born sceptic and so when a few early 'tricks' happen in 
                    the room the viewer can easily step into his shoes to shun 
                    events as being staged. The beauty of this part is that the 
                    pacing of the script allows you to grow with the writer and 
                    turn from pessimist to realist as the horror unfolds. If you 
                    can accept the nature of the room, very little suspension 
                    of disbelief is required, as all reactions are believable. 
                  There 
                    are some nice touches in this film; I particularly like the 
                    moment when the writer, in an attempt to escape the room, 
                    edges along the outside ledge, only to find all of the windows 
                    on this side of the building have mysteriously disappeared. 
                    Another scene has the writer wake up in L.A. believing it 
                    was all a dream, when in reality he is still there in the 
                    room. So there is plenty to enjoy here. Many adaptations of 
                    Stephen King short stories fail to work sufficiently on the 
                    big screen, but this is an exception if you can ignore the 
                    pointless cheap thrill in the epilogue. 
                  Extras 
                    consist of two Webisodes (John Cusack on 1408, and 
                    Inside Room 1408), a trailer, eleven minutes of Deleted 
                    Scenes, The Secrets of Room 1408 featurette, and 
                    a Commentary by Director Mikael Hafstrom and Script 
                    Writers Scott Alexander and Larry Karaszewski. 
                    
                  Ty 
                    Power  
                  
                     
                       
                        
                           
                             
                               
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