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                    The age of gods came to an end - or so it was believed for 
                    eons... until Thrym the Hollow, Jotunheim's deposed King of 
                    the Frost Giants, rose from the death. This time, he would 
                    not rest until his foes were eviscerated, and his fearful 
                    tyranny reigned across the human realm of Midgard (Earth). 
                    To combat the encroaching evil, the fates reveal a massive 
                    skeleton and iron hammer in an uncommon lightning storm on 
                    the frozen shores of Sweden. Sent to investigate are the Bureau 
                    for Paranormal Research and Defense's 
                    top operatives - the amphibian humanoid Abraham Sapien and 
                    the equally anomalous crimson demon called Hellboy... 
                  In 
                    The Bones of Giants, only Hellboy can lift the seemingly 
                    immovable object from the lifeless figure's clutches. But 
                    when a lightning strike fuses the iron weapon to his stone 
                    right hand, the occult investigator becomes joined with the 
                    mightiest weapon in all of Norse mythology. 
                  Once 
                    wielded by the legendary thunder-bearer instrumental in Thrym's 
                    downfall, the hammer subjects Hellboy to an ancient life he 
                    has never lived, and visions no other can see. Yet even that 
                    knowledge, coupled with the aid of a talking squirrel, a beautiful 
                    folklorist and dwarfish Nidavellim warriors, may not thwart 
                    the Frost King. Regardless of whether Hellboy triumphs over 
                    Thrym and the other leviathans rising to wage war, he may 
                    still be forever lost to an essence not his own... lost among 
                    the bones of giants. 
                  Christopher 
                    Golden is not at his best here and in places this feels very 
                    padded. While the plot stays faithful to Mike Mignola's creation, 
                    I couldn't help feeling I was being short changed. Hellboy 
                    works best when Mignola writes and illustrates and sadly, 
                    anything else seems weak in comparison. 
                  That's 
                    not to say that this story is bad, it's just not what a Hellboy 
                    story should be. 
                  Nick 
                    Smithson  
                     
                    
                      
                  
                     
                       
                        
                           
                             
                               
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