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                    Honoré and Emily find themselves imprisoned in the 19th century 
                    by a celebrated but unscrupulous inventor. Help comes from 
                    an unexpected source: a perfectly constructed humanoid automaton, 
                    created by - and to give pleasure to - its owner... 
                  This 
                    impressive debut book by Claire Bott combines such intriguing 
                    elements as the Pinocchio story, Mary Shelley's Frankenstein, 
                    and A Vindication of the Rights of Woman by Shelley's 
                    mother, Mary Wollstonecraft. Frankenstein is reflected 
                    in the character of the clockwork woman's unhinged creator, 
                    Sir Edward Fanshawe, and an angry mob that assembles towards 
                    the end of the novella. The story of Pinocchio comes into 
                    play when the automaton begins to take on the characteristics 
                    of a proper human being. Dove, as the artificial woman ultimately 
                    chooses to name herself, is partially inspired in her emancipation 
                    by the writing of Mary Wollstonecraft, whose work is quoted 
                    by the author. 
                   
                    Prior to her liberation, Dove lives a life of servitude under 
                    her master, who uses her for his own sexual gratification. 
                    The notion of sexual slavery is a repugnant one, and the horror 
                    of it is driven home all the more effectively by the matter-of-fact 
                    manner in which Dove, from whose perspective the majority 
                    of the tale is told, reports her servitude to the reader. 
                    She herself possesses no sense of touch, because her creator 
                    did not see fit to bestow such a gift upon her, and is therefore 
                    incapable of feeling erotic pleasure. This attitude reflects 
                    the Victorian "lie back and think of England" mentality, which 
                    assumed that women could not or did not need to achieve sexual 
                    satisfaction. 
                   
                    However, her years of experience at pleasing her master mean 
                    that Dove can easily earn money once she, Honoré and Emily 
                    have escaped from Sir Edward's house. The fact that prostitution 
                    aids her liberation makes for an interesting bit of moral 
                    ambiguity (who is exploiting whom when a man pays a woman 
                    for sex?), though Bott soon circumvents this paradox by later 
                    making the woman the unwilling prisoner of a brothel.  
                  The 
                    sexual content of the book, which includes a scene in which 
                    Dove is made to perform intercourse before an audience, including 
                    Emily, would have been extremely controversial had it been 
                    included in the Doctor Who novella range, the predecessor 
                    to this series. However, the author handles her subject in 
                    an extremely skilful and moving way, and the end result is 
                    emotionally intense rather than tawdry.  
                  A 
                    stunning debut.  
                  Richard 
                    McGinlay  
                    
                  
                     
                       
                        
                           
                             
                               
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