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                    Scientific breakthroughs have opened up a whole universe of 
                    possibilities for the Doctor - some beautiful, some mysterious, 
                    some horrific. The Time Lord and his companions encounter, 
                    among others, a living language, a robot that can dream, virtual-reality 
                    people, an auctioneer of body parts and a mermaid... 
                  As 
                    its title suggests, this collection of short stories revolves 
                    around medical science, anthropology and other scientific 
                    theories and principles concerning the very definition of 
                    life.  
                  There 
                    is some repetition and/or crossover of ideas here. Perhaps 
                    not surprisingly, the Frankenstein myth provides the 
                    inspiration for more than one story, though the tone of Andy 
                    Campbell's creepy and horrific The Age of Ambition 
                    could scarcely be more different from Richard Salter's blackly 
                    comical, but still very gruesome, A Star is Reborn. 
                    Predictably, given its continued topicality, the subject of 
                    genetic modification crops up (no pun intended) in several 
                    narratives, including Syntax, by David Bailey, and 
                    The Southwell Park Mermaid, by Kate Orman.  
                  Sometimes, 
                    though, it would appear that editor John Binns has deliberately 
                    arranged his anthology in order to draw comparisons between 
                    the stories, or to develop common threads between them, rather 
                    than to shy away from some of their similarities. For example, 
                    pheromone communication, which plays a major part in Syntax, 
                    is also a factor in the subsequent tale, John Seavey's Primitives. 
                    Similarly Mortal Thoughts, by Trevor Baxendale, is 
                    followed by Lant Land, by Jonathan Morris, each of 
                    which features a comparable character named Simon. 
                   
                    There are some interesting and/or rare Doctor/companion combinations 
                    in this book. Gareth Wigmore's Scribbles in Chalk is 
                    craftily wedged in between the William Hartnell serials The 
                    Myth Makers and The Daleks' Master Plan, so as 
                    to make use of the short-lived companion Katarina. This story 
                    is full of poignant dramatic irony concerning events to come 
                    in Master Plan and The Tenth Planet. Syntax 
                    teams the Eighth Doctor with his Doctor Who Magazine comic 
                    strip companion Izzy, though the tale is marred slightly by 
                    the fact that Big Finish has already tackled the subject of 
                    a sentient language more than adequately in the audio drama 
                    ...ish. The Southwell Park Mermaid sees the 
                    return of the New Adventures pairing of the Seventh 
                    Doctor and Chris Cwej, though Orman's plot is let down by 
                    a rather silly concept for an intelligent life form.  
                  However, 
                    the real runt of the litter is Lance Parkin's Echo, 
                    a very short story told from the point of view of Ace, not 
                    long after she has boarded the TARDIS. I am at a loss to explain 
                    what this confusing little tale is trying to say.  
                  Only 
                    slightly less impenetrable are the two Fourth Doctor stories 
                    The Northern Heights, by Mark Stevens, and The Destroyers, 
                    by Steve Lyons. These two tales, both of which make use of 
                    the storytelling device of the incomplete or unreliable historical 
                    document, are supposed to be cryptic, but their eventual conclusions 
                    fail to clarify certain key issues.  
                  On 
                    the other hand, Alexander Leithes' The End is perfectly 
                    understandable, but I don't really see the point of the story. 
                   
                    I have much more enthusiasm for Matthew Griffiths' The 
                    Reproductive Cycle, which places the Sixth Doctor and 
                    Peri in the unusual position of surrogate parents. This story 
                    throws up some interesting ideas about the effects of parental 
                    separation and custody battles on a developing and impressionable 
                    child. It evidently takes place not long after A Star is 
                    Reborn so far as the time travellers are concerned, and 
                    an interesting character arc is developed between the two 
                    narratives. 
                  Jim 
                    Mortimore's A Rose by Any Other Name may possess a 
                    rather irrelevant title (Clothes Make the Man would 
                    have been more suitable), but this concluding entry proves 
                    to be both touching and memorable. I did wonder how the writer's 
                    vision of humanity's future could fit in with certain other 
                    Doctor Who stories, but then he never actually specifies 
                    that his tale is set on Earth.  
                  One 
                    of the aforementioned Frankenstein variants, the gripping 
                    Age of Ambition is even more enjoyable, affording a 
                    strong role to Victoria Waterfield. Slightly ahead of this 
                    is the equally chilling Mortal Thoughts, by Trevor 
                    Baxendale, a Sixth Doctor and Mel story that takes a trip 
                    into Isaac Asimov robotic territory. 
                   
                    My very favourite is another Sixth Doctor story, A Star 
                    is Reborn, which remains extremely witty throughout, despite 
                    its grisly subject matter, as the Doctor jumps to a series 
                    of unfortunate but quite understandable erroneous conclusions. 
                   
                    I didn't enjoy this collection quite as much as I did the 
                    previous volume, Past Tense, but it does prove there's 
                    plenty of life in the old Doctor yet.  
                  Richard 
                    McGinlay  
                    
                  
                     
                       
                        
                           
                             
                               
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