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                    The 
                    Iktoj'ni, the freighter on which former Stargazer 
                    ensign Andreas Nikolas is currently serving, has been taken 
                    over by a monstrous alien with unbelievable powers. Picard's 
                    only hope of stopping the alien menace is Serenity Santana, 
                    a woman who once abused his trust... 
                  The 
                    sixth novel in Michael Jan Friedman's Stargazer series 
                    gets off to a better start than his previous one, Enigma, 
                    did. Picking up where its predecessor's cliffhanger ending 
                    left off, Maker kicks off with Andreas Nikolas discovering 
                    that all his Iktoj'ni crewmates have been killed and 
                    that a powerful alien of the Nuyyad race has taken over the 
                    ship.  
                  As 
                    before, there are copious references back to previous stories. 
                    Aside from the direct continuation of Nikolas's arc, this 
                    is also a sequel to The Valiant, a book that was pretty 
                    much the pilot of the Stargazer series, which was itself 
                    a sequel to the Original Series episode Where No 
                    Man Has Gone Before. As with The Valiant, the energy 
                    barrier at the edge of the galaxy comes into play, having 
                    transformed a Nuyyad into a god-like entity. Picard also rekindles 
                    his uneasy romance with the beautiful but untrustworthy Serenity 
                    Santana. Meanwhile, Nikolas is still struggling to get over 
                    the loss of his Mirror Universe lover, Gerda Idun, from the 
                    novel Three. All this continuity may seem off-putting, 
                    but Friedman explains everything clearly for any newcomers 
                    - and any sequel to the classic Where No Man automatically 
                    carries great appeal.  
                  The 
                    primary plot is rather slender, largely consisting of the 
                    transformed Nuyyad, Brakmaktin, using his newfound mental 
                    powers to commit one atrocity after another, including mass 
                    murder and, in one extremely gruesome scene, stripping the 
                    flesh from a helpless man's bones.  
                  However, 
                    the story is liberally peppered with sub-plots, including 
                    Picard's concern that he will soon be stripped of his command. 
                    We as readers know that this will not happen, because the 
                    television episode The Battle tells us that he commanded 
                    the vessel until shortly before the start of The Next Generation, 
                    but the threat of it pushes the character forward. Rather 
                    than make him timid, the captain's belief that his days are 
                    numbered only makes his command decisions bolder. 
                   
                    The author constantly reminds us that this is a much younger 
                    Picard than the one in TNG. This process includes several 
                    unsubtle references to the fact that the captain has a full 
                    head of hair!  
                  The 
                    plot pretty much grinds to a halt about 40 pages from the 
                    end, as Picard finally faces the enquiry that he is convinced 
                    will cost him his command. Though we know this won't happen, 
                    there is some intrigue as to how the captain can possibly 
                    escape this fate. 
                   
                    While it can hardly be said to boldly go where no book has 
                    gone before, Maker makes for an entertaining way to 
                    while away a few hours. 
                    
                  Richard 
                    McGinlay  
                  
                     
                       
                        
                           
                             
                               
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