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                    The Fifth Doctor faces the embittered ancient Time Lord Omega; 
                    the Sixth Doctor finds himself working alongside the amoral 
                    scientist Davros; the Seventh Doctor tries to save the soul 
                    of his former friend, the Master; and the Eighth Doctor struggles 
                    for control of his own mind with the anti-time entity known 
                    as Zagreus, in the original scripts to four major audio dramas 
                    from the Big Finish series... 
                  These 
                    collections just keep getting bigger! This one weighs in at 
                    just over 400 pages, containing as it does the scripts to 
                    the epic "villains" trilogy, which comprised Omega, 
                    Davros 
                    and Master, 
                    and the three-CD 40th-anniversary special Zagreus. 
                  As 
                    we have come to expect, the scripts are presented in the form 
                    they were in when they were taken into the recording studio. 
                    Each and every subsequent alteration has been painstakingly 
                    annotated at the end of each set of scripts, even down to 
                    the deletion or addition of every little "oh", "so", "no" 
                    and "now". Nev Fountain's Omega scripts show the greatest 
                    number of little tweaks and deletions in the studio, whereas 
                    the final episode of Alan Barnes' and Gary Russell's Zagreus 
                    had the biggest chunks of dialogue chopped out if it, because 
                    it was seriously over-running. I still think, however, that 
                    notes at the foot of each page would be more user-friendly 
                    than having to flip back and forth between script pages and 
                    notes pages.  
                  Each 
                    story is prefaced by an introduction by the writer (or one 
                    of them, Gary Russell, in the case of Zagreus) and 
                    the book is rounded off by the original outline or treatment 
                    for each story. These introductions and appendices reveal 
                    how much the stories developed and evolved before they got 
                    into the studio. For example, the treatment for Davros 
                    had Peri accompanying the Sixth Doctor, while the illusory 
                    settings that Charley was originally supposed to visit in 
                    Zagreus were radically different from what actually 
                    transpired in the finished production.  
                  The 
                    overblown Zagreus is definitely the weakest of the 
                    four sets of scripts presented here. However, its pre-production 
                    development spawned other exciting aspects of the ongoing 
                    Big Finish series and its spin-offs. For example, the non-availability 
                    of Matthew Waterhouse to play a bored Castellan led to Miles 
                    Richardson's Braxiatel being drafted in as a Cardinal, a character 
                    that would become pivotal to the Gallifrey mini-series. 
                    Charley and Lady Louisa Pollard were originally going to encounter 
                    Simon Murchford, the steward whose place Charley took in Storm 
                    Warning - his scenes ended up in the subsequent 
                    adventure The 
                    Next Life.  
                  There 
                    isn't much to separate the three "villains" stories in terms 
                    of quality. While Davros and Master have an 
                    edge over Omega as intensely thoughtful character studies, 
                    Nev Fountain's narrative boasts the mother of all plot twists. 
                     
                  This 
                    is a fascinating insight into the production of these audio 
                    adventures.  
                    
                  Richard 
                    McGinlay 
                  
                     
                       
                        
                           
                             
                               
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