| Once 
                    a notorious criminal who betrayed his murderous boss, Jimmy 
                    now has kids and is trying to settle into a normal life. But 
                    he is engaged in a ceaseless battle with his disaffected son, 
                    who knows nothing of Jimmy's past until, that is, his father 
                    discovers his ex-boss is out of prison and after his blood. 
                    But, as he attempts to protect his family, Jimmy must tell 
                    the truth about his terrible past if he is to save them...
 Pride 
                    & Joy is one of those graphic novels which almost 
                    slips into the realm of pretentious, angst ridden self indulgence. 
                    Almost, but not quite. It would have been so easy for Garth 
                    Ennis's writing to have faltered in such a clichéd 
                    father and son story. At 
                    the centre of the story is Jimmy, his young daughter and his 
                    angst ridden teenage son, who never quite lives up to his 
                    father's expectations - or at least that's how the young adult 
                    feels. Jimmy's own father, now long dead, was a real man's 
                    man - one that Jimmy idolised. And now Jimmy's concerned that 
                    his son doesn't feel the same way about him. But that may 
                    not matter soon, not if a ghost from the past manages to seek 
                    his revenge on Jimmy. There 
                    are some fine comedic moments, thanks mainly to Jimmy's ex-partners 
                    in crime, and in contrast some pretty brutal moments. Jimmy 
                    has a few skeletons in his closet, but there is one that still 
                    haunts him... an accident that should never have happened. The 
                    artwork is impressive, helping to draw you into the story, 
                    which is extremely well conceived with a well executed conclusion. 
                     Nick 
                    Smithson  
 
                     
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