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                    Having 
                    already battled Killer Croc, Poison Ivy and Superman, the 
                    machinations of Batman's unknown nemesis now produce a bone-crushing 
                    encounter with the Joker after a night at the opera. And like 
                    all great operas, the climax to this story promises tragedy, 
                    bloodshed and vengeance... 
                  Volume 
                    two of Hush ups the stakes considerably. More of Batman's 
                    foes creep out of the woodwork including Harley Quinn, The 
                    Joker, The Riddler, Two Face, Scarecrow and Clay Face. Who 
                    is responsible for killing one of Bruce Wayne's childhood 
                    friends - and the man who set him on the road to recovery? 
                    All the evidence points to someone who has intimate knowledge 
                    of Wayne Corp - someone who also knows Wayne's secret identity 
                    is the Batman. 
                  This 
                    collection works on many levels. The "Hush" of the 
                    title is attributed to a child's nursery rhyme about a baby 
                    that can't be satisfied. While it works when describing the 
                    mysterious killer, it also relates to Batman - a nice twist 
                    of which is illustrated at this books conclusion. 
                  What 
                    is really impressive about this collection is the way that 
                    writer Jeph 
                    Loeb manages to bring casual Batman fans up to speed 
                    with earlier events in the Batman Universe, without 
                    boring the hard-core fans. Little panels dotted around filling 
                    the reader in on past events (like who Jason Todd was and 
                    how he died; the fact that Harley Quinn is The Joker's girlfriend; 
                    and who Harvey Dent was before he was scarred by acid) never 
                    seemed to intrude on the main plot. 
                  It 
                    also weaves between different interpretations of the Batman, 
                    in all his forms. For example, there is a panel that displays 
                    the automobiles inside the Batcave which shows that there 
                    are more than one Batmobile - in fact you can make out the 
                    model used in the 1989 Batman movie. So, this collection 
                    neatly attempts to tie together all narratives that have gone 
                    before.  
                  The 
                    storytelling is faultless, the artwork a thing of beauty, 
                    and in reality there is nothing to fault with this collection 
                    - only that it should have been longer.  
                  This 
                    has to be one of the best Batman collections of all 
                    time - not quite as good as The Dark Knight Returns, 
                    but it certainly comes close. Batman fans (both casual 
                    and hard-core) will love this intelligent work of art. 
                     
                  Darren 
                    Rea 
                  
                     
                       
                        
                           
                             
                               
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