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                    The voyages of Picard's Enterprise continue, with the 
                    crew encountering more Klingons, more Romulans, more Ferengi, 
                    Sherlock Holmes' arch enemy Professor Moriarty, a duplicate 
                    of Picard himself and an unstoppable new foe known as the 
                    Borg... 
                  You 
                    could say that Season 2 of The Next Generation is like 
                    Season 1, only more so. Its best episodes are far stronger 
                    than the highlights of the previous year, but its weakest 
                    instalments are more toe-curlingly bad than the first season's 
                    most embarrassing lowlights.  
                  Of 
                    the better episodes, the tense and emotive courtroom drama 
                    that is The Measure of a Man is an absolute classic. 
                    And Q Who is both an excellent Q episode (John De Lancie 
                    gives one of his best performances as the mischievous entity) 
                    and a stunning introduction to the chillingly impersonal Borg. 
                    Elementary, Dear Data is another winner, a logical 
                    and irresistible development of the holodeck detective program 
                    in Season 1's The Big Goodbye and Data's (i.e. Brent 
                    Spiner's) superb impersonation of Sherlock Holmes in Lonely 
                    Among Us. There are a couple of excellent explorations 
                    of Klingon culture in A Matter of Honor and The 
                    Emissary - this being a time when the Klingons still had 
                    novelty value. The intriguing and unsettling time-travel tale 
                    Time Squared isn't bad either, and the same can be 
                    said of the extremely worthy Loud as a Whisper, Contagion 
                    (in which something very bad happens to a Galaxy-class 
                    starship) and Peak Performance.  
                  At 
                    the opposite end of the spectrum, the first season's Haven 
                    and Skin of Evil seem like works of art compared to 
                    the shoddy plotting and duff dialogue in Up the Long Ladder 
                    and Shades of Gray. Up the Long Ladder contains 
                    the classic (not) exchange of dialogue: "Clones..." "Clones?" 
                    "Clones!" Meanwhile, Shades of Gray is an example of 
                    that woeful cost-cutting standby of American television, the 
                    clips show - a very disappointing way to end the season. The 
                    Icarus Factor also makes tedious viewing, being primarily 
                    composed of a string of sequences that go something like this: 
                    Riker's dad (Mitchell Ryan) tries to make peace with his son 
                    (Jonathan Frakes), who then storms off in a huff, repeat ad 
                    infinitum. The Outrageous Okona has its moments, particularly 
                    those involving the loveable rogue Captain Okona (William 
                    O. Campbell), but is seriously impaired by too many unfunny 
                    "comedy" scenes as Data tries to cultivate a sense of humour. 
                    Manhunt is a real Frankenstein's monster of disparate 
                    elements that don't really mesh together, featuring the return 
                    of Lwaxana Troi (Majel Barrett), a return visit to the Dixon 
                    Hill setting of The Big Goodbye, and some big fish 
                    people (whose leader is played by Mick Fleetwood).  
                  The 
                    remaining episodes, The Child, Where Silence Has Lease, 
                    The Schizoid Man, Unnatural Selection, The Dauphin, The Royale, 
                    Pen Pals and Samaritan Snare are rather average, 
                    but entertaining enough. Unnatural Selection is a rehash 
                    of the "Classic" Trek episode The Deadly Years, 
                    and not the last one either - the idea of a rapidly ageing 
                    crewmember would be used again in Deep Space Nine's 
                    Distant Voices. The Schizoid Man is predictable, 
                    but lifted by more scenery-chewing from Brent Spiner as a 
                    possessed Data, a virtual repeat performance of his evil Lore 
                    character.  
                  One 
                    aspect that is a clear improvement on Season 1 is the special 
                    effects. In general, the space shots look smoother and more 
                    expensive. The Child boasts an impressive establishing 
                    shot that tracks from the exterior of the ship, through a 
                    window and into the interior set.  
                  This 
                    is not to say that the production team is averse to a little 
                    frugal recycling of effects from the previous season. A view 
                    of the transition from impulse to warp speed seen through 
                    an observation window uses effects that were originally filmed 
                    for the warp experiments in Where No One Has Gone Before. 
                    The shot of the Enterprise being flung parsecs off 
                    course in When the Bough Breaks is put to good reuse 
                    in Q Who.  
                  A 
                    few characters are changed or undergo a "cabinet reshuffle" 
                    of assignment for the second season. The departure of Lieutenant 
                    Yar (Denise Crosby) is of great benefit to Michael Dorn's 
                    Klingon Worf, who functions splendidly as Security Officer. 
                    La Forge (Levar Burton) takes on the much-needed role of regular 
                    Chief Engineer. Apart from growing a beard, Commander Riker 
                    also lightens up his previously rather humourless character. 
                    Watch out also for the developing role of Colm Meaney, as 
                    he rises in status from nameless Transporter Chief to become 
                    Miles O'Brien, who will one day join the crew of Deep Space 
                    Nine.  
                  Two 
                    new cast members also join the team: the mysterious (at least, 
                    she is at this point in the show's history) bartender Guinan 
                    (Whoopi Goldberg) and the new Chief Medical Officer Katherine 
                    Pulaski (Diana Muldaur). Dr Pulaski is rather obviously based 
                    upon DeForest Kelley's Dr McCoy - witness her disparaging 
                    attitude towards the unemotional Data, which is akin to McCoy's 
                    ribbing of Spock, and her loathing of transporters - but her 
                    character still possesses great strength, easily standing 
                    up to Captain Picard (Patrick Stewart). She only served for 
                    this one year before Dr Crusher (Gates McFadden) returned 
                    for the third season. This is a pity, because I happen to 
                    prefer Pulaski's no-nonsense authority to the sentimental 
                    whining of the bleeding heart Beverly Crusher!  
                  You 
                    may notice that this is a shorter season than usual, comprising 
                    just 22 episodes instead of the usual 26. This is because 
                    production was hampered at the time by a writers strike. However, 
                    to partially compensate for this, there is a little more documentary 
                    material than we got with the Season 1 box set - one hour 
                    and twenty minutes' worth in total. 
                   
                    Sure, this season contains more than its fair share of dull 
                    or embarrassing moments, but this box set is still worth the 
                    asking price for the many top-class episodes it contains. 
                     
                  Richard 
                    McGinlay 
                    
                  
                     
                       
                        
                           
                             
                               
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