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                    Barry Newman plays Kowalski, a man who legitimately delivers 
                    cars. When he makes a bet that he can drive from Denver to 
                    San Francisco in under fifteen hours, he begins by committing 
                    a speeding violation and evading a police pursuit. When news 
                    of his exploits reaches the public through a radio D.J. called 
                    Super Soul, he soon becomes a local hero, representing the 
                    last free spirit of America... 
                   
                    The irony evident in Vanishing Point is that Kowalski 
                    (remember the 70's series Petrocelli?) does nothing 
                    wrong except break the speed limit, evade capture and endanger 
                    a few dessert rats. As he crosses state borders very little 
                    information is passed on beween police forces, so that wild 
                    assumptions of possible robbery or murder are made.  
                  The 
                    fact that the D.J. is championing his cause over the airwaves 
                    makes matters worse rather than better. However, it does bring 
                    help from unexpected quarters, those individuals with no love 
                    for the state troopers. Through a series of brief flashbacks 
                    we learn that Kowalski was a decorated war veteran, a disgraced 
                    police detective and professional motorcycle and racing car 
                    driver. The love of his life was also drowned in a surfing 
                    accident; all this baggage of misfortune going some way to 
                    rationalise his pleasant but care-free attitude.  
                  You'll 
                    need to search hard to find a better road movie than Vanishing 
                    Point. There are some nice camera angles and impressive 
                    small-scale stunts, but where this films succeeds most is 
                    in its sheer simplicity of style.  
                  The 
                    music, particularly in the first half, is a superb mix of 
                    rock and country. The director knows just when to remove the 
                    music altogether and allow us to savour the raw power of the 
                    white super-charged Dodge Challenger.  
                  Vanishing 
                    Point is very much a product of its time (released in 
                    1971), but still looks impressive today. It's truly a shame 
                    the sound hasn't been mixed in 5.1 Dolby Surround, which would 
                    have made this otherwise standard dvd release a force to be 
                    reckoned with. 
                  Ty 
                    Power  
                    
                     
                  
                     
                       
                        
                           
                             
                               
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