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                    Corporate climber Julie Styron fires her new assistant 
                    Paula Murphy after she arrives late with materials for a crucial 
                    presentation. When the two women meet by chance in a hotel 
                    bar that evening, Julie attempts reconciliation. But she has 
                    no idea what she is letting herself in for... 
                  Total 
                    Film called this "a tight psychodrama that really crackles". 
                    Rolling Stone described it as "a maliciously funny 
                    and keenly observant movie". The Times referred to 
                    it as "clever to the point of devious". Were they watching 
                    the same film as me, I wonder? Sure, The Business of Strangers 
                    boasts very good performances by the two leads, Stockard (The 
                    West Wing) Channing and Julia (The Bourne Identity) 
                    Stiles, but I think those reviewers were going a little bit 
                    over the top.  
                  Channing's 
                    Julie is a real bitch to begin with, but she earns our sympathies 
                    when she later makes every effort to make amends for her rash 
                    dismissal of Paula. Stiles is suitably enigmatic as Paula, 
                    managing, as you might expect from the star of 10 Things 
                    I Hate About You, to combine a badass attitude with the 
                    possibility that she might just be a naive girl out of her 
                    depth.  
                  Writer/director 
                    Patrick Stettner succeeded in defying my expectations. What 
                    seems at first (and in the movie's trailer, which appears 
                    on the disc) to be your average "embittered psycho seeks revenge" 
                    storyline ends up being something rather different - a more 
                    subtle battle of wills between Paula and Julie. For a while, 
                    the two women actually seem to get on well, and there is even 
                    a little sexual tension between them. However, although many 
                    of the dialogue exchanges are powerfully portrayed, some others 
                    don't sound at all natural.  
                  The 
                    ending is a bit of a damp squib - perhaps deliberately so, 
                    as it is left to we, the audience, to judge for ourselves 
                    how we should feel about the way things turn out. However, 
                    the film has left me with some enduring and stirring images, 
                    which can be no bad thing.  
                  Chris 
                    Clarkson 
                    
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