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                    Babylon 5 is a spacestation which replaces four abortive 
                    attempts to create a meeting place for the representatives 
                    of the five major races, as well as the non-aligned worlds. 
                    Although a major city in itself, housing defence systems, 
                    trade centres and recreation, its primary purpose is as an 
                    independent embassy for diplomatic negotiations between the 
                    Mimbari, the Narn, the Centauri, the Vorlons and the Humans, 
                    represented by the Earth Alliance. There's plenty of action 
                    and intrigue, and nobody is exactly the person they seem to 
                    be...  
                  Every 
                    so often a TV show emerges which annihilates all the current 
                    competition in terms of subject matter, storylines and production 
                    values. In case you were wondering, I'm talking about Babylon 
                    5. How refreshing it is to have such diverse characters, 
                    who are changed forever by events. This is not your standard 
                    story of the week science fiction, featuring injuries, near-death 
                    experiences and emotional conflict which is conveniently forgotten 
                    by the next episode. Every major decision has far-reaching 
                    consequences, and every choice repercussions that might affect 
                    people immediately or come back to haunt them when they (and 
                    you, as the viewer) least expect it. It reminds me somewhat 
                    of the political chess-moves of ancient China or Japan; honour 
                    and diplomacy is always in the forefront, with assassins or 
                    covert arrangements made in the background.  
                  Season 
                    Two sees almost as many changes as there were between the 
                    feature-length pilot, The Gathering, and the start 
                    of season One. There is a major personnel change, with Commander 
                    Jeffrey Sinclair being replaced with the more dynamic Captain 
                    John Sheridan. Sinclair is mysteriously spirited away to the 
                    Mimbari homeworld, and pops up now and again in future stories. 
                    Ambassador Kosh goes from enigmatic soothsayer to anti-hero 
                    manipulator, as the others learn there is an ulterior motive 
                    for everything he does. From short-tempered aggressor, G'Kar 
                    becomes a poet, diplomat and religious ikon. Londo makes the 
                    transition from drunken reveller to the most dangerous individual 
                    around. Of course, none of this happens overnight, and creator 
                    J. Michael Straczynski kept his plot-strands bible close to 
                    his chest, giving the actors no inkling of what was to come, 
                    so it's compelling to witness the transmogrifications and 
                    the events that cause them.  
                  This 
                    season there's significantly less stand-alone stories; Straczynski 
                    pens fifteen of the twenty-two episodes, and the five-year 
                    arc begins to take a firmer hold. The Coming of Shadows 
                    season teases us with the coming threat to all the races, 
                    but for the meantime centres primarily on the present conflict 
                    between the Narn and the Centauri. Particularly strong episodes 
                    include: In the Shadow of Z'ha'dum, wherein Sheridan 
                    pushes his luck to learn more information about his presumed-dead 
                    wife, and finds himself confronted with the original homeworld 
                    of the Shadows; The Long, Twilight Struggle, which 
                    follows a major battle between the Narn and the Centauri; 
                    and The Fall of Night, in which surprising connections 
                    are made between the Shadows and Kosh's race, the Vorlons. 
                   
                    This six-disc set benefits from digital widescreen transfers 
                    and is beautifully remastered in Dolby digital 5.1. Two episodes 
                    contain an optional commentary by the man himself, J. Michael 
                    Straczynski, The Geometry of Shadows has a joint commentary 
                    by Bruce Boxleitner (Sheridan), Claudia Christian (Lt. Com. 
                    Susan Ivanova) and Jerry Doyle (Security Chief Michael Garibaldi). 
                    There is also a Season Two introduction from Straczynski and 
                    various cast and crew. Other extras include two new documentaries: 
                    Building Babylon: Anatomy of an Episode, and Shadows 
                    and Dreams: Honors of Babylon ( in which the crew talk 
                    about the Hugo awards success). There is an Audio-visual Archive 
                    split into Personnel Files, Data Files, Tech Files, and an 
                    Historical Timeline.  
                  Season 
                    Two is the final place that I would advise any new viewers 
                    to jump on board. From here on in it is essential to follow 
                    every episode. I would have given this excellent release a 
                    10, but as anyone who has seen season four will testify, the 
                    best is yet to come! 
                  Ty 
                    Power 
                    
                     
                  
                     
                       
                        
                           
                             
                               
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