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                    Diana convinces her mother, the Queen of the Amazons, that 
                    she must once again venture into the outside world as Wonder 
                    Woman... 
                   
                    As live-action TV versions of a popular comic books go, Lynda 
                    Carter's Wonder Woman is fairly respectable. The character 
                    is more faithfully adapted than The Incredible Hulk was. 
                    Although there are elements of self-mockery, as demonstrated 
                    by the garish title graphics, the camp theme song and comic-style 
                    on-screen captions, the tone is not out-and-out comedy, as 
                    was the case with Adam West's Batman. While it does 
                    show its age a bit - well, OK, a lot - the series is nowhere 
                    near as toe-curlingly bad as the tedious live-action Spider-Man 
                    series. 
                   
                    The 70-minute pilot episode, The Return of Wonder Woman, 
                    is a mixed bag, however. Perhaps because the story needed 
                    to be stretched beyond the usual 46 minutes, the plot meanders 
                    and lacks focus. Basically, the story deals with a mad-as-toast 
                    global terrorist, Dr Solano (Fritz Weaver), who wants to hijack 
                    planes carrying materials for a new nuclear power station, 
                    which will aid him in his plan to take over the world... or 
                    something like that. The narrative takes a few detours of 
                    dubious relevance, including such unlikely ingredients as 
                    a double of the hero Steve Trevor (Lyle Waggoner) and a naff-looking 
                    robot. There's also a fight between Diana Prince (the unforgettable 
                    Lynda Carter) and another woman that strays into sexploitation 
                    territory when their clothes start getting torn. 
                   
                    Lyle Waggoner is not the world's greatest actor (but then 
                    you try exclaiming "A robot!" without sounding silly). Still, 
                    it's refreshing to see a male character being constantly rescued 
                    by a woman for a change.  
                    
                   
                     
                    Diana and Steve are assigned to investigate a reunion of 
                    Nazis in South America... 
                  Of 
                    course, these so-called New Adventures of Wonder Woman 
                    are now pretty old, but back in 1977 the title was intended 
                    to differentiate this series from the earlier The New Original 
                    Wonder Woman, which also starred Lynda Carter and Lyle 
                    Waggoner but was set during World War II. 
                   
                    Anschluss '77 is the first of two episodes on this 
                    DVD that refer back to wartime events. The notion of cloning 
                    Hitler is not a new one, even back in '77, but the idea remains 
                    irresistible, and the plot progresses much more swiftly than 
                    that of the pilot.  
                    
                   
                     
                    A Japanese man with awesome telekinetic powers seeks revenge 
                    on Wonder Woman for her role in the Second World War... 
                  The 
                    opening moments of The Man Who Could Move the World 
                    set up false expectations as our heroes view the playback 
                    of a rocket launch. But then we are told that the subject 
                    of their briefing is actually the one-time rocket scientist 
                    Dr Theodore Wilson (Lew Ayres), who is now experimenting in 
                    the field of psychokinesis.  
                  Ultimately, 
                    this becomes another episode that harks back to Wonder Woman's 
                    wartime adventures, which makes you wonder why the production 
                    team bothered relocating the character to a contemporary setting 
                    in the first place. It's not rocket science! 
                    
                   
                    The extras - a photo gallery and a few text features - don't 
                    inspire much wonderment, but at such a low price you can't 
                    really grumble. 
                   
                    Richard McGinlay 
                  
                     
                       
                        
                           
                             
                               
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