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                    An atomic bomb tested in the Arctic frees a gigantic dinosaur 
                    from the icy tomb that has encased it for 100 million years. 
                    An ice fall kills all witnesses except one, Professor Tom 
                    Nesbitt who returns to New York with the fantastic story. 
                    No one will believe his tale, but the truth is revealed when 
                    the beast emerges from the ocean and lays waste to Manhattan. 
                    Can the Professor come up with a plan to save the city before 
                    it's too late?... 
                  Based 
                    partly on a short story by Ray Bradbury, The 
                    Beast from 20,000 Fathoms 
                    marked the start of the special effects career of Ray 
                    Harryhausen (more famous for his work - especially the skeleton 
                    warriors scene - on Jason and the Argonauts).  
                  The 
                    story builds suspense convincingly, and the movie's showdown 
                    at Coney Island is well realised - if a little crude by today's 
                    standards. Even 
                    for it's time, 1953's 
                    The Beast from 20,000 Fathoms was 
                    a low budget movie and to be honest the fact that it is half 
                    as good as it is is a mystery. 
                  It 
                    was due to the lack of a serious budget that led Harryhausen 
                    to experiment 
                    with a new technique for inserting his monsters into real-world 
                    backgrounds called split-screen. The origins of split-screen, 
                    a system of rear projection onto overlapping screens, lay 
                    in the stop-motion photography invented by movie pioneer Willis 
                    O'Brien, used most famously in King Kong. 
                  Sadly, 
                    no real restoration has been attempted on this release. There 
                    are plenty of hairs, scratches and dropout on the negative, 
                    which is a shame. 
                  Extras 
                    on the disc are nothing stunning, but are worth watching, 
                    and include The Rhedosaurus and the Rollercoaster: Making 
                    the Beast featurette and Harryhausen And Bradbury: 
                    An Unfathomable Friendship featurette. There is also an 
                    Easter Egg which is easy to find... and not really worth the 
                    effort.  
                  This 
                    is certainly a movie worth watching, but whether it's worth 
                    buying is questionable - you might be better off waiting until 
                    it's on TV again. 
                  Nick 
                    Smithson  
                    
                  
                     
                       
                        
                           
                             
                               
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