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                    A socially insecure technical writer called Kenneth forms 
                    an obsessive relationship with Nikki, an anatomically accurate 
                    silicone sex doll that he orders over the Internet. But when 
                    his romantic life starts to take a turn for the better - he 
                    starts to become involved with the office temp - Nikki's jealous 
                    personality invades his consciousness. Kenneth becomes trapped 
                    in a perverse triangle, torn between the dominating silicone 
                    doll and the beautiful flesh and blood Lisa... 
                  Love 
                    Object 
                    is like a breath of fresh air. I didn't know what to expect 
                    from this movie and came to it completely cold - which is 
                    probably the best way to approach it. 
                  Desmond 
                    Harrington (The Hole, Taken) play the socially 
                    inept Kenneth who blows his "promised" bonus on 
                    the world's most realistic sex doll - which he has had specially 
                    designed to look like the new office temp. But the romance 
                    doesn't last for long and soon this anatomically accurate 
                    silicone toy ends up calling the shots. 
                  Harrington 
                    is not quite believably geeky enough to pass as a social recluse 
                    - would he really need to spend all that money on a sex doll? 
                    His other co-workers are though, but he is far to good looking 
                    to pass as a techie nerd. Having said that, he does turn in 
                    a fantastic performance. 
                  Melissa 
                    Sagemiller's Lisa, on first viewing, seemed a little under 
                    used. However, in retrospect it is essential that the audience 
                    doesn't get too close to her so that they can appreciate a 
                    little better why Kenneth puts her on a pedestal. 
                  Rip 
                    Torn's (Men in Black) character seems a little two-dimensional 
                    when we first meet him - cold and unresponsive to his employees. 
                    His character might be a little too stereotypical of corporate 
                    bosses, but Torn puts in a believable performance without 
                    trying too hard. 
                  This 
                    movie is being shoehorned into the horror genre but, in reality, 
                    it only really fits into this category in the closing act. 
                    The very slow, almost stagnant, build up helps to throw the 
                    viewer off-guard, so that when the closing scenes arrive they 
                    really whack a punch. 
                  There 
                    are elements of black humour, horror and suspense and in conclusion 
                    this is an original and entertaining movie that I probably 
                    enjoyed a little more than I should have. 
                  Nick 
                    Smithson  
                    
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