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                    When the young Victor Frankenstein is refused financial backing 
                    from his father for his scientific experiments, he arranges 
                    the man's death in a shooting 'accident'. Going away to university 
                    in Vienna, he finds many of the lectured facts and theories 
                    to be beneath him. When he gets the Dean's daughter pregnant 
                    he decides to run away from his responsibilities back to his 
                    castle, where he has had many crates of equipment delivered. 
                    With his friend Wilhelm, Frankenstein kills a tortoise and 
                    uses electricity from generators to revive it. This minor 
                    success makes him more ambitious and he moves on to thoughts 
                    of creating a person from recently deceased body parts. When 
                    his colleague threatens to expose him to the authorities, 
                    Frankenstein has his freshest body parts yet, and the work 
                    begins in earnest... 
                  The 
                    Frankenstein in Horror of Frankenstein is charming, 
                    humorous and respected (a sort of loveable rogue) - at least 
                    before his friends and associates hear about his morbid and 
                    immoral experiments.  
                  The 
                    characters are interesting; the grave robber and his wife 
                    are particularly good, and the lovely young Kate O'Mara as 
                    Alys the maid goes from docile and accommodating peasant to 
                    jealous scheming bitch, but remains sexy throughout.  
                  The 
                    monster itself isn't that frightening, at least not in this 
                    day and age. However, rather than the sympathetic creature 
                    of the Boris Karloff depiction, here the monster walks straight 
                    from the castle and hacks a person to pieces with a shovel, 
                    before devouring a wild animal. So it is actions that make 
                    the monster rather than its appearance. 
                   
                    This is one of the best Hammer films you're likely to see. 
                    There are so many good ones, but this is one of a handful 
                    which stand out for me. Not because it's scary or bloodthirsty, 
                    only well-structured and fun.  
                  The 
                    script and the direction is tight, and the actors lend charisma 
                    to their characters, ensuring that you enjoy watching them. 
                    They all realise, I think, that the most cerebral part of 
                    this movie is the monster's brain, but you get the distinct 
                    impression they're thoroughly enjoying themselves.  
                  As 
                    you would expect, there are no extras aside from the theatrical 
                    trailer, only a jolly fine film. Highly recommended.  
                    
                  Ty 
                    Power  
                  
                     
                       
                        
                           
                             
                               
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