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                    A member of the notoriously evil Karnstein family performs 
                    a dark ritual, asking for a representation of the personification 
                    of evil. This materialises as the beautiful but deadly Mircalla 
                    from the family's sinister history. English novelist Richard 
                    Lestrange is in Transylvania to research the Karnsteins, but 
                    is warned off by the villagers. Journeying to the old house 
                    he is confronted by three young women. Luckily it turns out 
                    they are from a nearby girls' finishing school. Lestrange 
                    arrives there and finds himself captivated by the enticing 
                    Mircalla, unaware of her origins. Winning himself a teaching 
                    job at the school, he tries to get close to her. But can his 
                    love be reciprocated by a cold-blooded creature of death?... 
                     
                  Lust 
                    For a Vampire from 
                    1970 appears to take you through a series of differing styles, 
                    almost as if Hammer Productions was undecided over exactly 
                    what it wanted this film to be. It begins with a wannabe Dracula-like 
                    character, with the slick-back hair and red cape but none 
                    of the presence or acting ability of Christopher Lee.  
                  Then 
                    a third rate vampire film evolves into a Carry On scenario. 
                    The nubile young women of the finishing school run around 
                    the grounds attempting dainty and sexy, and pretty much pull 
                    it off. But you can't help laughing at the silliness of it 
                    all.  
                  The 
                    moment when Lestrange first arrives at the school to witness 
                    the students prancing about like hippies on acid is right 
                    out of that well-known scene in Carry On Camping. We 
                    then move from suggestive scenes into what the cover blurb 
                    calls post-sixties vampire eroticism, but plays more like 
                    a cringe-worthy seventies blue movie (at least the encounter 
                    between Lestrange and Mircalla). 
                   
                    This is an average offering from Hammer, made more palatable 
                    by the host of pretty faces. Take them away and what do you 
                    get: bibbity-bobbity-boo...  
                    
                  Ty 
                    Power 
                  
                     
                       
                        
                           
                             
                               
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