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                    Count Dracula is reconstituted when blood falls on to his 
                    remains from the mouth of a vampire bat. In retribution against 
                    his evils the nearby villagers decide to raid his castle. 
                    Pushing aside his manservant, they set fire to several rooms 
                    but fail to find the fiend himself. When they return to the 
                    village it is to discover a bloodbath at the church, where 
                    the women had congregated thinking themselves safe. Sarah 
                    is celebrating her birthday at a high class party with Simon, 
                    her aspiring fiancee. But his brother Paul is an enigma to 
                    her. Paul escapes from a scandal using a runaway carriage 
                    which dumps him in the woods. After being shunned at the village 
                    he travels to the castle, unaware of its roots. Dracula stabs 
                    his own woman cohabitant to death after she sleeps with Paul, 
                    but Paul is soon trapped in the castle. Sarah and Simon look 
                    for Paul and soon trace him to the castle...  
                  Scars 
                    from 
                    1970 is the last of four loosely linked Hammer Dracula 
                    tales starring Christopher Lee. The continuity is, at best 
                    tenuous, which is of course as it should be. The horror element 
                    is upped considerably for this one. There's a stabbing to 
                    death, an implied rather than seen sawing-up of a body, a 
                    mass slaughter of women, an impaling, a human conflagration, 
                    and several bat attacks.  
                  Aside 
                    from the ever-commanding Lee there are several cast names 
                    here you might recognise. Dennis Waterman, Jenny Hanley, a 
                    young and beautiful Kate O'Mara, and Michael Ripper. It's 
                    always great to see Patrick Troughton in something, and here 
                    he plays Clove, Dracula's manservant.  
                  I 
                    liked the idea of Dracula sleeping in his coffin during the 
                    day in a walled-up room which only opens on to a window with 
                    a sheer drop of hundreds of feet. It's good security, and 
                    a prison for anyone else without a rope from the room above. 
                    If you can overlook the certainty that Waterman learned his 
                    craft after this production (his expression is openly blank 
                    throughout, whether doing angry, scared or determined) 
                    Scars of Dracula is a highly enjoyable film which even 
                    stands up quite well today. 
                    
                  Ty 
                    Power 
                  
                     
                       
                        
                           
                             
                               
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