| An epic account of the occupation of small French industrial 
                    city Clermont-Ferrand by the Germans in World War II, director 
                    Marcel Ophus combines interviews and archive footage to explore 
                    the reality of occupation. Speaking to Resistance fighters, 
                    collaborators, spies, farmers, government officials, writers, 
                    artists and veterans, it is perhaps the most gripping and 
                    inspiring portrait of how ordinary people actually conducted 
                    themselves under extraordinary circumstances...
 The 
                    Sorrow and the Pity (or Le Chagrin et la Pitie) 
                    has been hailed as one of the most moving and influential 
                    films of our time. This Oscar nominated classic by Marcel 
                    Ophus has continued to garner international acclaim since 
                    its release in 1969 and it's not difficult to see why. From 
                    the opening shot, at a (then) modern German wedding, to the 
                    closing scene with Maurice Chevalier, the director offers 
                    a fair and balanced account of the occupation of France from 
                    the point of view of men, both ordinary and influential during 
                    the war and from all three sides - France, Germany and England. 
                    Sadly, there 
                    was very little in the way of female representation and, in 
                    the interest of balance, it would have been interesting to 
                    have heard the views of a few of the woman - especially in 
                    the Resistance - who were affected. There 
                    are a number of confusing scenes in this documentary - most 
                    of which are to do with translation. The very first scene 
                    has a German wedding, which is translated into France and 
                    then English subtitles are then added. There are also numerous 
                    occasions where English interviewees are dubbed over and then 
                    English subtitles are added so that we can understand what 
                    they are saying. But, possibly the most bizarre interview 
                    is with Denis Rake, a British Secret Agent in occupied France. 
                    The first half of his interview is conducted in French with 
                    a French interviewer and the second half is conducted in English 
                    with an English interviewer. However, there is no French dubbing. There 
                    were also parts of the war that are not so well remembered 
                    in Britain, and for good reason, which are uncovered here. 
                    I doubt many of us have heard of the slaughter at Mers-el-Kebir. 
                    Here, 1600 French sailors were killed by the British Navy 
                    as we attempted to commandeer the French Navy. The British 
                    shelled French boats and, it's revealed, that the majority 
                    of the French sailors through that they were casting off in 
                    order to join the British boats. Not our finest hour! There 
                    are also a number of stand out bizarre moments, the most notable 
                    being a public information film designed to encourage the 
                    French to breed rabbits during the war - for meat and to turn 
                    into rabbit fur garments. Extras 
                    include a retrospective NFT interview with Ophuls, notes on 
                    the making of, and full interviews list and details. Anyone 
                    who is interested in hearing history from those who experienced 
                    it first hand - from farmers to the originator of the French 
                    Resistance - should get a hold of this ground breaking, historical 
                    work. 
 Darren 
                    Rea 
                     
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