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                    Burnt-out 
                    ex-CIA operative John Creasy has lost faith in humanity and 
                    is set on a path of self destruction, until he is hired to 
                    protect the young daughter of a wealthy family in Mexico City. 
                    But, when the little girl is kidnapped, Creasy unleashes a 
                    firestorm of relentless vengeance against those responsible... 
                  The 
                    first hour of Man on Fire sets up the story at a steady 
                    pace. Then, just when you think you've got everything worked 
                    out, director Tony Scott pulls the rug out from under you. 
                  The 
                    movie starts off with with Creasy (Denzel Washington at his 
                    best) being helped back on his feet by an old friend (played 
                    wonderfully by Christopher 
                    Walken). Creasy has a drinking problem but is still hired 
                    as a bodyguard for a wealthy family in Mexico City. The family 
                    has one young girl called Pita (Dakota 
                    Fanning). 
                  Pita 
                    tries to befriend Creasy, but he has no interest in making 
                    friends with a young girl. And it was at this point that I 
                    thought that the movie was going to be all about how Pita 
                    wins Creasy around, and brings him out of his despair. But, 
                    the second half of the movie takes a harder edge as Pita is 
                    kidnapped and the ransom drop is bungled. The kidnappers don't 
                    get all their money and so tell Pita's parents they have no 
                    option but to kill her. 
                  The 
                    rest of the movie sees Creasy tracking the clues back to the 
                    head of the kidnappers in an attempt to avenge Pita's death. 
                    But, as Creasy gets deeper into the organisation he is surprised 
                    buy what he finds. 
                  What's 
                    really different about this movie is that fact that Washington's 
                    character shifts from self-destructive to sorting his life 
                    out thanks to Pita. And then, after Pita's kidnapping, shows 
                    his true colours. Creasy is not someone to be messed with. 
                    He will do anything, and does, to get results. The numerous 
                    ways he dispatches his enemies are brutal yet, in places, 
                    comical (he kills one by inserting an explosive up his anus). 
                    And he fails to show any mercy. 
                  Creasy 
                    is believable because of this. There's no: "Okay. You've 
                    told me what I need to know. Now, off you go and don't go 
                    kidnapping any more kids, now." He's like a surgeon cutting 
                    out society's cancer. 
                  If 
                    there is anything to complain about, it's the fact that it 
                    takes an hour to get the Pita and Creasy bonding across (as 
                    well as other bits of back story) and in truth at least 15 
                    minutes could have been shaved off. 
                  Extras 
                    on the single disc edition include an audio commentary by 
                    the director and over 30 minutes of deleted scenes, with optional 
                    commentary by the director. 
                  On 
                    the two-disc release (we only received the single edition 
                    for review) you get a 72 minute documentary, multi-angle sequence, 
                    TV spots, music video and storyboards. Personally the extra 
                    money hardly seems worth it. 
                  Man 
                    on Fire is a powerful drama which doesn't disappoint. 
                    
                  Nick 
                    Smithson  
                  
                     
                       
                        
                           
                             
                               
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