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                    There is nothing wrong with your television set. Do not attempt 
                    to adjust the picture. We are controlling transmission. We 
                    will control the horizontal. We will control the vertical. 
                    For the next hour, sit quietly and we will control all you 
                    see and hear. You are about to participate in a great adventure. 
                    You are about to experience the awe and mystery which reaches 
                    from the inner mind to... The Outer Limits... 
                  I 
                    know more than a little about the original version of The 
                    Outer Limits. Believe it or not, I'm too young to remember 
                    its first airing in 1964, but it was sporadic at best. In 
                    1980 BBC2 showed every episode. They were out of sequence, 
                    and moved from a regular early evening slot to a late night 
                    one for no explicable reason. But I didn't care. I couldn't 
                    get enough of them. I've loved this quality anthology series 
                    ever since, and it has for years sat in my all-time top five 
                    TV programmes.  
                  Okay, 
                    so I appreciate the show. But why is it so good? Well, first 
                    and foremost the scripts are so strong; even those considered 
                    to be weaker knock spots off other shows of this format. Although 
                    The Outer Limits was devised by producer Leslie Stevens 
                    (he also wrote the pilot The Galaxy Being), the show's 
                    major success was undoubtedly down to Joseph Stephano, one 
                    of the best scriptwriters of his time. Not only did he write 
                    many of the best episodes, but also received co-credits for 
                    many others for his tightening of those scripts, making them 
                    compatible with the show.  
                  The 
                    "Bear", which was what insiders called the monster of the 
                    week, was almost universally well-handled. Simple optical 
                    effects and good camerawork combined to make the creatures 
                    more threatening or otherworldly. One of the reasons why this 
                    series works so well is that everything is played straight. 
                    There is no underlying tongue-in-cheek "No, we're not convinced 
                    by the monster either!" attitude. 
                   
                    This first season DVD set incorporates 32 45-minute self-contained 
                    stories over eight discs (four titles on each disc). This 
                    differs slightly from the region 1 version which has been 
                    around for at least a couple of years now. That had four unlabeled 
                    two-sided discs, with only a microscopic A or B to distinguish 
                    each side. Don't expect any extras here (Isn't more than 27 
                    hours of viewing enough, for goodness sake?!), and there is 
                    only the original mono sound. I surmise that to cleanup the 
                    picture would have significantly increased the cost of the 
                    set, but rest assured that only a couple contain minor scratches. 
                    On the whole, the picture is pretty much pristine.  
                  If 
                    I were to list every good story it would take over this entire 
                    review, so here's just a few classic episodes. In The Zanti 
                    Misfits, a Zanti official contacts Earth saying that a 
                    penal ship will land and that they should not approach it. 
                    The area is cordoned-off, but a criminal and a runaway wife 
                    break through and end up stumbling across the craft. A Zanti 
                    creature emerges to warn them off and in the confusion the 
                    Zanti criminals make a bid for freedom. This is a well-written 
                    tale by Stephano, but the appearance of the Zanti turn it 
                    into a classic. The ant like creatures with humanoid features 
                    are creepy but make you smile at just how well they are realised. 
                   
                    In The Invisibles an undercover government investigator 
                    infiltrates a secret society where humans are hosts to parasitic 
                    creatures which are taking over positions of power. Again 
                    this is credited to Stephano, but shame on the producers for 
                    not crediting Robert Heinlein, because this is undoubtedly 
                    based on his novel The Puppet Masters. 
                   
                    In The Sixth Finger, a man volunteers to undergo a 
                    scientist's experiments in advancing man's evolution hundreds 
                    of years. He becomes much more intelligent, but to others 
                    his metamorphosis makes him so unhuman that he appears to 
                    them as a monster. Guest stars in this season include: Robert 
                    Culp (the ultimate jobbing actor), David McCallum, Martin 
                    Landau and a multitude of other faces many of whom you will 
                    recognise (Neil Hamilton, Commissioner Gordon in the camp 
                    sixties Batman series, is one of them). 
                  In 
                    short, this is pretty near brilliant stuff. Go out and buy 
                    it. "We now return control of your television to you, until 
                    next time..." 
                     
                  Ty 
                    Power  
                  
                     
                       
                        
                           
                             
                               
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