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                    Following 
                    his wife's apparent suicide psychologist David Callaway (Robert 
                    DeNiro) decides that the therapy that his daughter Emily (Dakota 
                    Fanning) is receiving is not working. He move himself and 
                    Emily to a secluded place in the country, but things soon 
                    take a turn for the worse when Emily makes friends with Charlie 
                    who seemingly only she can see, with her father becoming increasingly 
                    worried about Emily's sadistic and destructive behaviour time 
                    is running out to discover just who or what is Charlie... 
                  What 
                    can one say about DeNiro's performance, he's the consummate 
                    professional, and whilst this may seem a little to lightweight 
                    of a project, I'm not gonna break his balls. He's turned in 
                    some of the greatest performances of any actor, so if he wants 
                    to pay the bills occasionally, who cares, he's still a delight 
                    to watch. His portrayal of the angst ridden father is spot 
                    on and if anything spoils it, it's the ending, but then the 
                    ending spoilt an otherwise good Saturday night fright flick. 
                    The real star of the show is Emily (Dakota Fanning).  
                  Fanning 
                    is a delightful actress, who more than holds her own against 
                    DeNiro. More recently seen in War of the Worlds, playing 
                    Rachel, and previously in the 2002 mini series Taken, as 
                    Allie, this young woman has already amassed a body of work 
                    that wouldn't look bad for your average 35 year old. She portrays 
                    the ambiguity of her character to the hilt and it's well worth 
                    watching her performance a second time once you know the ending 
                    to appreciate just how good her portrayal is. 
                   
                    The mental ménage a trios is completed with the inclusion 
                    of Framke Jassen (Katherine), better known for her portrayal 
                    of Jean Grey in the X-Men films. She acts as a sounding 
                    board for the character of David; they have a well established 
                    relationship as he had previously been her mentor and she 
                    is a friend to Emily. Between the three main characters the 
                    true nature of Charlie is explored.  
                  When 
                    David and Emily move to the country, David starts a relationship 
                    with Elizabeth (Elisabeth Shue). Initially portrayed as part 
                    of David's healing process, following the death of his wife. 
                    It is quickly evident that her inclusion really has more to 
                    do with the shifting of power away from David towards Emily. 
                    In the end David in almost supplication, has to ask Emily's 
                    permission to date Elizabeth, with tragic consequences.  
                  The 
                    rest of the cast, and it's a small cast, provide the potential 
                    Charlie's, to David's mind. The loon neighbour and his rather 
                    odd wife, the strange fellow who David has rented the house 
                    from and last, but by no means least, Dylan Baker, who plays 
                    Sheriff Hafferty. Dylan is a great character actor and I can't 
                    think of a film that he has been in that I haven't enjoyed 
                    his performance.  
                  As 
                    i mentioned previously, if the film has a fault it's in the 
                    ending. Following the reveal of who or what is Charlie the 
                    film suddenly goes into slow motion, dragging out the end 
                    way past its natural finishing point  
                  The 
                    disc contains a plethora of extras for fans of the film. The 
                    movie comes with five different endings, if you count the 
                    theatrical version. Sound is 5.1 and 5.1 DTS, the DTS track 
                    is well worth a spin if you can play it, very creepy. There 
                    is the usual commentary by the director, editor and screenwriter; 
                    deleted scenes are interesting but you can see why they were 
                    deleted - it would have been nice to have the ability to watch 
                    the film with them included; there is a little promo on the 
                    making of, with the usual back slapping stuff and some previsualisations 
                    of scenes that never made it into the final cut.  
                  The 
                    one thing that did annoy me about the disc was the amount 
                    of adverts that you need to wade through to get at the feature, 
                    though I'm not the best person to see this sort of stuff as 
                    I even turn the TV over when they are on. Please stick them 
                    in a trailers section so that the viewers have the choice. 
                     
                  So 
                    not a complete pot boiler, though the film contains nothing 
                    really original and the ending is naff, it's worth sticking 
                    your feet up on a Saturday night with a few beers, and wile 
                    away an hour and a half with the creepy David and Emily. 
                    
                  Charles 
                    Packer  
                  
                     
                       
                        
                           
                             
                               
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