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                    After a stretch in prison, ex-yakuza Noriyuki Kunihiro 
                    is glad to be free. Fed up with his previous life, Kunihiro 
                    has decided to go straight. He meets up with his old friend 
                    Tanigawa who is more than keen to get him back into the yakuza 
                    fold. Kunihiro makes it clear that he wants to go straight, 
                    but things don't seem to be going as smoothly as he'd hoped. 
                    He soon discovers that many obstacles, not least Tanigawa, 
                    stand in his way...  
                  Onibi 
                    - The Fire Within from 1997 seems, on the surface, to 
                    be a bit of a clichéd movie. An ex-yakuza hitman called Noriyuki 
                    Kunihiro is released from prison. It would seem that the stretch 
                    inside has done him the world of good as he has decided that 
                    he wants no more to do with his yakuza past. However, it's 
                    not long before one of his old friends has tracked him down 
                    in a bid to get him back into the fold. It's the old 'bad 
                    guy, tries to go straight but can't free himself from his 
                    past' storyline.  
                  Kunhiro 
                    falls in love with a pianist, Asako Hino, who asks him to 
                    acquire a gun for her so that she can kill her old boyfriend. 
                    Smitten with her he agrees and sets about training her to 
                    use the gun. But, when it comes down to it, it would seem 
                    that she is not a killer.  
                  The 
                    storyline surrounding an ex-criminal trying to change his 
                    destiny has been tacked countless times (Onibi is not 
                    a million miles from Hollywood's 1993 Carlito's Way 
                    - if you take away the girlfriend wanting to commit murder 
                    element). Ultimately, this sadly means that the viewer is 
                    probably going to guess how everything will conclude before 
                    the first ten minutes are up. 
                  In 
                    truth this movie is a little too disjointed and a little too 
                    predictable to be totally satisfying which sadly means that 
                    it is fairly average viewing. 
                  Extras 
                    include an interview with the director, commentary with Tom 
                    Mes and the usual cast and crew biographies. 
                    
                  Nick 
                    Smithson  
                  
                     
                       
                        
                           
                             
                               
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