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                    The Complete Anthology is a box set containing all five 
                    instalments in The Exorcist series of films. The movies 
                    are listed and packaged in chronological order, so that the 
                    original effectively becomes the third here. As I have previously 
                    reviewed each of the DVD releases separately, it falls to 
                    me to tell you a little about what you're purchasing. For 
                    more detailed information see my reviews for The 
                    Exorcist Trilogy Box Set, 
                     
                    Exorcist: The Beginning, 
                    and Dominion 
                    - Prequel to The Exorcist. But here's a brief 
                    guide to each of the films.  
                  Dominion 
                    - The Prequel follows a younger Father Merrin who has 
                    lost his faith after an incident during the war. On an archaeological 
                    dig in East Africa he uncovers an ancient Christian church. 
                    But the structure had been buried for a reason, and now an 
                    age-old evil is free to escape. Merrin must rediscover his 
                    faith to confront the entity. The best of the bunch aside 
                    from The Exorcist itself.  
                  Exorcist: 
                    The Beginning is essentially the same script as Dominion 
                    but with an inferior and less subtle approach. This more violent 
                    version was favoured with a theatrical release, but when box 
                    office takings proved disappointing, Dominion (the 
                    better film in the first place) was rushed straight to DVD. 
                    Nevertheless, The Beginning is not as woeful an event 
                    as many critics would have you believe, it simply is not fit 
                    to wear The Exorcist name.  
                  The 
                    Exorcist, the original William Friedkin film, is pretty 
                    much faultless as a pristine slice of cinematic history. It 
                    stands the test of time well, and you still feel slightly 
                    uneasy watching it today, due to its almost documentary feel. 
                    In other words, it doesn't seem like fiction at all. Father 
                    Merrin attempts to cast out the evil from a demon-possessed 
                    girl. The Fear of God documentary is a fascinating discussion 
                    of on- and offset events.  
                  Exorcist 
                    II - The Heretic, John Boorman's sequel, has Father Lamont 
                    investigating what happened to Merrin, while the child Regan 
                    is having her nightmares studied. An unnecessarily complicated 
                    story involving the cult of locusts, which relies heavily 
                    on back story and then tries to make-up for it with a few 
                    special effects. Not a bad film, but leagues below its predecessor. 
                     
                  The 
                    Exorcist III has The Exorcist writer William Peter 
                    Blatty returning to the fold to both write and direct this 
                    sequel which is set immediately after The Exorcist. 
                    Lt. Kinderman investigates a series of religious killings. 
                    This is quite a good film, well acted, and very different 
                    from the others. However, it does get messy at the end when 
                    explanations are obliged to tie events in with the previous 
                    movies.  
                  For 
                    any Exorcist nut this is an essential purchase, if 
                    you don't already have them from previous retail releases. 
                    For anyone simply curious about the near perfection that is 
                    The Exorcist, I would advise them to buy that film 
                    alone, purely for the sake of cutting costs.  
                    
                  Ty 
                    Power 
                  
                     
                       
                        
                           
                             
                               
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