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                    Jacques, an Algerian war veteran, struggles with his drinking 
                    and gambling. No real problem except that his wife has just 
                    had a baby, his son Cesar. Jacques is by nature an unpleasant 
                    man, who continually moves himself and his family trying to 
                    rescue his marriage from its untenable position. But more 
                    time and more moves just succeeds in fragmenting the family. 
                    No matter how far Jacques runs he can't get away from his 
                    past or his own emotional and moral vacuum that makes up his 
                    present... 
                  Errance, 
                    directed by Damien Odoul, is part of his Trilogy of the 
                    Double, whose best part, Le Souffle, was released 
                    to critical acclaim and much prize giving in 2001.  
                  The 
                    film charts the story of Jacques and Lou tumultuous relationship 
                    between the years 1968 and 1973. It takes place in three separate 
                    geographical and temporal locations, starting in the Gevaudan 
                    region, where we are first introduced to Jacques who is urinating 
                    against the road, before driving off erratically to turn up 
                    late for the birth of Cesar. These first few minutes sum up 
                    Jacques perfectly - drunk, erratic and ultimately irresponsible. 
                    No manner how many times during the film he tries to justify 
                    his actions, he only deludes himself. At heart Jacques is 
                    an unpleasant man and a looser. 
                   
                    In an effort to help him stay with his wife Lou, played by 
                    the very beautiful and brilliant Laetitia Casta (whose best 
                    known in the UK for playing Falbala in the 1999 Asterix 
                    film) he moves his family to the coast. But even his best 
                    intentions do not last long as he continues to drink gamble 
                    and cheat on his wife, culminating in him burning down his 
                    work place and battering his wife. Lou retreats to the loving 
                    and supporting arms of her family, which brings up the question 
                    as to why this beautiful middle-class woman would stay with 
                    Jacques in the first place. Lou's abiding belief that Jacques 
                    can change, his behaviour, borders on the tragic, a belief 
                    that swallows his every promises of change - only a love that 
                    deep could be so blind. She leaves the safety of her family 
                    and joins him in 1973 in Paris.  
                  In 
                    Paris things, at first, seem to have changed. Lou and Jacques 
                    dance tenderly to Dusty Springfield and for once both of them 
                    appear to be happy. Unfortunately for Lou this is another 
                    façade. Jacques car crash of a life is about to come to its 
                    logical conclusion.  
                  Beniot 
                    Magimel, who had previously appeared in the brilliant La 
                    Pianiste (2001) and La Haine (1995), portrays his 
                    character of Jacque to the hilt. Rarely have I seen a performance 
                    which portrayed such an odious loser, the type of man that 
                    would give brain dead misogynists everywhere a bad name. Casta's 
                    portrayal of Lou is beautifully understated making her allegiance 
                    to him all the more tragic. The film does not make for easy 
                    watching, so will not be to everyone's tastes. The narrative 
                    plays out like a slow car crash with the audience well aware 
                    to the eventual consequences of Jacques' actions even if Lou 
                    refuses to see it.  
                  This 
                    disc comes with a selection of subtitled audio options including 
                    DTS, 5.1 and stereo. To plump things up you get the original 
                    trailer and a Cine Lumiere reel which gives a taster of four 
                    other films in the Lumiere series. The picture is nice and 
                    clear, and whilst the inclusion of DTS is a pleasant surprise 
                    it add little to the films overall impact. 
                   
                    If your tastes run to moody and broody then this could be 
                    a film for you, it's not the strongest of the trilogy and 
                    it won't be to everyone's tastes, one mans filmic introspection 
                    is another's long dull movie.  
                    
                  Charles 
                    Packer  
                  
                     
                       
                        
                           
                             
                               
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