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                    James Bond faces his most terrifying ordeal when he takes 
                    on the gangland boss Mr Big and his drug-baron "associate" 
                    Dr Kananga...  
                  Making 
                    an impressive debut, Roger Moore manages to inject a little 
                    more humanity into Bond, as George Lazenby attempted to do 
                    in 1969. Although the tactics 007 uses to woo Kananga's mistress 
                    Solitaire (Jane Seymour) are indisputably underhanded, Bond 
                    nonetheless exhibits a tenderness towards his lover that we 
                    have seldom seen before in the series.  
                  The 
                    task of replacing Sean Connery is made lighter for Moore by 
                    the efforts of writer Tom Mankiewicz and the rest of the creative 
                    team, who engineer dialogue and situations that are free of 
                    associations with the previous Bond movies, thus helping to 
                    avoid direct comparisons between the two actors. As the "making 
                    of" documentary and two audio commentaries reveal, Bond's 
                    dialogue in Live and Let Die contains none of the familiar 
                    catch-phrases, aside from the inevitable "My name is Bond, 
                    James Bond." At no point during this movie does Bond order 
                    a vodka martini, or don a tuxedo, or even appear on the familiar 
                    set of M's office. Even the supernatural subject matter, with 
                    copious references to voodoo and Solitaire's use of Tarot 
                    cards, is unique among the Bond films (as was Fleming's original 
                    novel among his Bond books).  
                  Other 
                    memorable elements include further assaults upon the American 
                    police force during the spectacular speedboat chase. This 
                    involves the first of two Bond appearances by the unforgettable 
                    Clifton James as the loud-mouthed and uncouth Southern sheriff, 
                    J W Pepper. Yaphet Kotto turns in a charismatically unhinged 
                    performance in his dual role as Kananga/Mr Big. Composer George 
                    Martin fills John Barry's shoes expertly with a rousing and 
                    refreshing incidental score and one of the best-ever title 
                    songs to a Bond movie, performed by Paul McCartney and Wings. 
                     
                  Also 
                    featuring an amusing cross-promotional TV advertisement by 
                    the UK's milk marketing board, this DVD offers hours of entertainment, 
                    although it is painfully slow to load and switch between features 
                    (on my player at least). Nonetheless, it's to die for.  
                  Richard 
                    McGinlay  
                  
                  
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