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                    Has James Bond finally met his match with Octopussy, a mysterious 
                    and beautiful woman who is involved in a plot to destroy East/West 
                    relations...? 
                  Nah, 
                    of course he hasn't, though he is really beginning to show 
                    his age. Roger Moore is, by this point in his career, snogging 
                    woman young enough to be his granddaughters, and if you listen 
                    carefully, you can almost hear his joints creaking throughout 
                    the film. But it's still fun to see how he manages to save 
                    the world yet again.  
                  Octopussy 
                    has Moore quite literally clowning around in a frivolous roller 
                    coaster of a movie. A curious aspect of this film - and also 
                    its predecessor, For Your Eyes Only - is that while 
                    certain scenes strive to ensure that the story is taken more 
                    seriously than usual, other aspects just seem to get sillier. 
                    On one hand we have the tense countdown as Bond struggles 
                    desperately to reach a bomb in time to deactivate it, while 
                    on the other we have 007 swinging through the trees, yodelling 
                    like Tarzan, and instructing a tiger, Barbara Woodhouse style, 
                    to "sit". For all its faults, though, this is a much livelier 
                    affair than For Your Eyes Only, and the action is helped 
                    along no end by one of John Barry's best soundtracks.  
                  The 
                    screenplay, by George MacDonald Fraser, Richard Maibaum and 
                    Michael G. Wilson, draws inspiration from the Ian Fleming 
                    short stories Property of a Lady and (surprise, surprise) 
                    Octopussy. The former is faithfully adapted into the 
                    riveting auction scene, while events in the latter are referred 
                    to in the past tense, making the movie Octopussy a 
                    sort of sequel to the prose version. 
                   
                    Louis Jordan is not tremendously memorable as the primary 
                    villain, Kamal Khan. Stephen Berkoff is far more menacing 
                    as the seriously deranged warmonger, General Orlov. The movie 
                    also benefits from a larger-than-usual role for the eccentric 
                    gadget-master Q (Desmond Llewelyn). 
                   
                    If, like many fans, you already own this movie on VHS, what 
                    makes it worth purchasing on DVD is the additional material. 
                    A commentary by director John Glen, a music video, a feature 
                    focusing on set designer Peter Lamont, and a "making of" documentary 
                    are just some of the extras included on the disc. The documentary 
                    reveals such details as the screen test that James Brolin 
                    performed when the production team thought they might need 
                    a new 007, and the action sequence that went seriously wrong 
                    for stuntman B.J. Worth.  
                  Octopussy 
                    is not the best Bond film ever made, but it certainly beats 
                    Moonraker.  
                  Richard 
                    McGinlay and Darren Rea 
                  
                  
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